Ed Benguiat


Ed Benguiat is an American typographer and lettering artist. He has crafted over 600 typeface designs including Tiffany, Bookman, Panache, Souvenir, Edwardian Script, and the eponymous Benguiat and Benguiat Gothic.
He is also known for his designs or redesigns of the logotypes for Esquire, The New York Times, Playboy, McCall’s, Reader’s Digest, Photography, Look, Sports Illustrated, The Star-Ledger, The San Diego Tribune, AT&T, A&E, Coke, Estée Lauder, Ford, and others. Other notable examples of Benguiat’s work are the logotypes for the original Planet of the Apes film, Super Fly, The Guns of Navarone, and Stranger Things. Ed Benguiat was one of the most prolific lettering artists and became typographic design director at Photo-Lettering, known as PLINC. Ed Benguiat was inducted into the Art Directors Hall of Fame in 2000.
In 1961 he began teaching at the School of Visual Arts in his native New York and continues to work there.

Personal life

Benguiat grew up in Brooklyn, New York. He was once a very prominent jazz percussionist playing in several big bands with the likes of Stan Kenton and Woody Herman. In an interview Benguiat stated this of his chosen career as a designer: "I’m really a musician, a jazz percussionist. One day I went to the musician’s union to pay dues and I saw all these old people who were playing bar mitzvahs and Greek weddings. It occurred to me that one day that’s going to be me, so I decided to become an illustrator."
Benguiat is an avid pilot and enjoys flying his airplane.

Published fonts

Most of Benguiat's published work was released through International Typeface Corporation. This includes:
Collaborations:
For other companies:
Most of Benguiat's designs qualify as display types intended for headings and posters; few are designed for body text.

The Ed Benguiat Font Collection

The Ed Benguiat Font Collection is a casual font family named after the designer. Designed by Ed Benguiat and House Industries, the CD includes 5 Benguiat-inspired typefaces and a series of whimsical icons, dubbed "bengbats," an exclusive interview by the House Industries staff, and Benguiat's own jazz percussion in the background. Unlike Benguiat's earlier, pre-computer work, the family uses extensive OpenType programming to replicate the hand-made, custom feeling of custom lettering, similar to classic film posters and record sleeves.