The Easter Bunny is a folkloric figure and symbol of Easter, depicted as a rabbit bringing Easter eggs. Originating among German Lutherans, the "Easter Hare" originally played the role of a judge, evaluating whether children were good or disobedient in behavior at the start of the season of Eastertide. The Easter Bunny is sometimes depicted with clothes. In legend, the creature carries colored eggs in his basket, candy, and sometimes also toys to the homes of children, and as such shows similarities to Santa Claus or the Christkind, as they both bring gifts to children on the night before their respective holidays. The custom was first mentioned in Georg Franck von Franckenau's De ovis paschalibus in 1682, referring to a German tradition of an Easter Hare bringing Easter eggs for the children.
Eggs have been used as fertility symbols since antiquity. Eggs became a symbol in Christianity associated with rebirth as early as the 1st century AD, via the iconography of the Phoenix egg, and they became associated with Easter specifically in medieval Europe, when eating them was prohibited during the fast of Lent. A common practice in England at that time was for children to go door-to-door begging for eggs on the Saturday before Lent began. People handed out eggs as special treats for children prior to their fast. As a special dish, eggs would probably have been decorated as part of the Easter celebrations. Later, German Protestants retained the custom of eating colored eggs for Easter, though they did not continue the tradition of fasting. Eggs boiled with some flowers change their color, bringing the spring into the homes, and some over time added the custom of decorating the eggs. Many Christians of the Eastern Orthodox Church to this day typically dye their Easter eggs red, the color of blood, in recognition of the blood of the sacrificed Christ. Some also use the color green, in honor of the new foliage emerging after the long-dead time of winter. The Ukrainian art of decorating eggs for Easter, known as pysanky, dates to ancient, pre-Christian times. Similar variants of this form of artwork are seen amongst other eastern and central European cultures. The idea of an egg-giving hare went to the U.S. in the 18th century. Protestant German immigrants in the Pennsylvania Dutch area told their children about the . Hase means "hare", not rabbit, and in Northwest European folklore the "Easter Bunny" indeed is a hare. According to the legend, only good children received gifts of colored eggs in the nests that they made in their caps and bonnets before Easter.
In his 1835 Deutsche Mythologie, Jacob Grimm states "The Easter Hare is unintelligible to me, but probably the hare was the sacred animal of Ostara". This proposed association was repeated by other authors including Charles Isaac Elton and Charles J. Billson. In 1961 Christina Hole wrote, "The hare was the sacred beast of Eastre, a Saxon goddess of Spring and of the dawn." The belief that Ēostre had a hare companion who became the Easter Bunny was popularized when it was presented as fact in the BBC documentary Shadow of the Hare. The Oxford Dictionary of English Folklore however states "... there is no shred of evidence" that hares were sacred to Ēostre, noting that Bede does not associate her with any animal.
