Nally’s first professional chamber choir was The Bridge Ensemble which sang concerts 1996-1997; though it failed financially, it established a significant presence in Philadelphia, receiving a great amount of critical attention and laying the groundwork for the success of The Crossing. From 1998-2002, he was Artistic Director of the Choral Arts Society of Philadelphia, during which time the chorus received Chorus America’s 2002 Margaret Hillis National Award for Excellence and was chosen as “The Best of Philadelphia” by Philadelphia Magazine. At the end of 2002, Nally left Philadelphia and moved to Wales to become the chorus master at Welsh National Opera. In 2006, Nally returned to the United States to become the chorus master for the Lyric Opera of Chicago. Nally has guest conducted the Latvian State Choir, the Grant Park Symphony Chorus, and the Santa Fe Desert Chorale; he has prepared choirs for the Philharmonia Orchestra, the BBC Symphony Orchestra, the Philadelphia Orchestra, the Pennsylvania Ballet, the Illinois Symphony Orchestra, and Spoleto USA.
The Crossing
The ensemble began in 2005 when Nally and a group of friends sang an informal concert together. At the end of the 2010-11 season, Nally left Lyric Opera of Chicago and moved back to Philadelphia to focus on his Philadelphia ensemble, The Crossing, which specializes in contemporary works. It has received numerous awards, including the Chorus America/ASCAP Award for Adventurous Programming, the American Composers Forum2017 Champion of New Music Award, the 2018 Grammy Award for Best Choral Performance, and the 2019 Grammy Award for Best Choral Performance.
In September 2012, Nally joined the faculty of the Bienen School of Music at Northwestern University in Evanston, Illinois as a tenured professor and director of choral organizations. He was appointed following the retirement of longtime professor Dr. Robert A. Harris, who held the position for the 35 years previous to Nally's appointment. Upon arriving in Evanston in the fall of 2012 Nally founded the chamber choir BCE, a premier group of 26 singers dedicated to performing choral music of the 21st century and drawing relationships to its polyphonic roots in early music – primarily that of the Renaissance. In 2013, Nally rehearsed Howard Hanson's Song of Democracy, which sets texts from various poems of Walt Whitman. An African American student objected to performing the work because he claimed Whitman was racist. Nally told the student he would receive a failing grade if he did not perform the work. The student claimed that a failing grade would have led to the loss of his scholarship.
Awards and distinctions
2019 Grammy Award for Best Choral Performance for Zealot Canticles
2018 Grammy Award for Best Choral Performance for The Fifth Century
2017 Champion of New Music Award with The Crossing from American Composers Forum
2017 Michael Korn Founders Award for Development of the Professional Choral Art from
2017 Nomination Grammy Award for Best Choral Performance for Bonhoeffer
2012 Louis Botto Award for Innovative Action and Entrepreneurial Zeal from Chorus America
2002 & 2015 Margaret Hillis National Award for Excellence in Choral Music
Works
"Gian Carlo Menotti: A Centennial Tribute", Voice Prints: Journal of the New York Teachers’ of Singing Association.
"To immerse myself in words: Text and Music in the Choral Works of Samuel Barber." DMA dissertation, University of Illinois, 1995.
"Barber's Op. 42: The poetry and music as key to his musical animus; Part I: Laurie Lee's Twelfth Night; Part II: Louise Bogan's To be sung on the water." Choral Journal 47.4.
Discography
* * * * * *
; 2018 Grammy Award for Best Choral Performance
* * * * * * * * * *
Choral Music of Longing and Lament, The Bridge Ensemble