David Hermann


David Hermann is a German-French stage director focused on opera. He was in 2006 the then youngest stage director at the Salzburg Festival, and has directed operas at major opera houses in Europe.

Career

Born in Würzburg, Hermann studied stage directing at the Hochschule für Musik "Hanns Eisler" in Berlin. He worked as an assistant of Hans Neuenfels. In 2000, he was awarded the first prize of the Internationaler Wettbewerb für Regie und Bühnenbild in Graz. He staged a cycle of three Monteverdi operas at the Frankfurt Opera.
Hermann made his debut at the Salzburg Festival with a production of Mozart's Ascanio in Alba in 2006, then at age 29 as the youngest director at the festival. He directed Verdi's Rigoletto at the Deutsche Oper am Rhein in 2009, and the same year at the festival Ruhrtriennale the premiere of Sing für mich, Tod! A ritual for Claude Vivier by to music by Claude Vivier. He directed Honegger's Jeanne d'Arc au bûcher at the Theater Basel, and Verdi's Macbeth at the Aalto Theatre in Essen. He staged at the Deutsche Oper Berlin first in 2012 Helmut Lachenmann's Das Mädchen mit den Schwefelhölzern and then Janáček's Věc Makropulos. He directed for the Badisches Staatstheater Karlsruhe Les Troyens by Berlioz, Mussorgsky's Boris Godunov, and in 2016 Wagner's Das Rheingold. He staged Dvořák's Rusalka in Saarbrücken and Verdi's La traviata at the Zurich Opera. In 2017, he staged three short operas by Ernst Krenek, connecting them to Drei Opern in a different order from the 1928 premiere at the Mai-Woche Wiesbaden: he showed after Der Diktator first Schwergewicht, oder Die Ehre der Nation, and then Das geheime Königreich, interpreting the works as parables on power and its abuse. A reviewer noted the followed the music as a mix of tragedy, farce and fairy-tale about politics and culture.
Hermann also worked in Europe for the De Nationale Opera in Amsterdam, the Vlaamse Opera in Antwerp, the Opéra national de Lorraine in Nancy, and the Teatro Real in Madrid.