The shape of the square was created when the grounds of Copenhagen's former West Rampart was redeveloped in the 1880s but it was then simply part of an extension of Ny Vestergade. The trapexoid shape enabled traffic to continue around the Ny Carlsberg Glyptotek along present day Tietgensgade, then simply known as Ny Vestergades forlængelse". It was not until a narrow strip of Tivoli Gardens was acquired by the city and the Arena Theatre was demolished that Tietgensgade was connected to Stormgade ione block further to the north.
The name Dantes Plads was introduced in connection with the installation of the Dante Column in front of the Ny Carlsberg Glyptotek in 1924. The name originally referred to the section of Vestre Boulevard between Kongensgade and Stormgade. The boulevard was redesigned in 1955 in response to the increase in traffic that followed from the inauguration of the new Lange Bridge. The whole street was at the same event renamed H. C. Andersens Boulevard to mark the 150 years anniversary of Hans Christian Andersen's birth and the name Dantes Plads was instead transferred to the trapezoid space between the boulevard and Vester Voldgade, which had until then been part of Ny Vestergade.
Current square
The square was redesigned by COBE and GHB Landskabsarkitekter in 2011. Its floor is paved with slender, yellow tiles and rises in four waves with perforated rusty red iron sides. The vegetation consists of Robinia'' trees and geometrically shaped flower beds.
Dante Column
In 1921, it was decided to mark the 600-years anniversary of Dante Alighieri's death with a monument in Copenhagen. A collection among Danish expats in Rome raised money for the monument which was designed by the sculptorEinar Utzon-Frank in collaboration with the architect Carl Brummer. It consists of a statue of Beatrice Portinari mounted on an antique statue which was a gift from the city of Rome. A relief on the plinth shows Dante's portrait.
Notable buildings and residents
The block on the north side of the square is known as Holckenhus after Holck's Bastion, which used to be located at the site. It was built in 1891-93 to a design by Philip Smidth which draws on inspiration from French Renaissance architecture. The two lower floors have granite rustication. The upper floors stand in blank red brick with decorations in painted cement.