Daniel Snowman
Daniel Snowman is a British writer, lecturer and broadcaster on social and cultural history. His career has spanned the academic world and the BBC, while his books include Kissing Cousins ; critical portraits of the Amadeus Quartet and of Plácido Domingo; a study of the cultural impact of The Hitler Émigrés; an anthology of essays about today's leading historians; and The Gilded Stage: A Social History of Opera.
Life and career
Snowman was born and raised in London, his parents coming from Anglo-Jewish families with roots in 19th-century Eastern Europe. He was educated at Cambridge and Cornell and from 1963–7 was a lecturer in Politics and American Studies at the University of Sussex. In 1967, he went to the BBC for a 6-month stint as a radio producer, rejoining as a full-time staff member in 1970. In 1967, too, Snowman joined the London Philharmonic Choir, an ensemble with whom he sang for 48 years, and whose history he has written.At the BBC, Snowman was responsible for a wide variety of radio programmes on cultural and historical subjects, working with such established broadcasters as Bernard Crick, Robin Day, Bill Grundy, Lord Hailsham, William Hardcastle and John Vaizey while also helping develop the broadcasting careers of such younger figures as Susan Hill, Aled Jones, Norman Lebrecht, Roy Porter, Edward Seckerson and Lucie Skeaping. Snowman tended to specialize in ambitious series such as The Long March of Everyman, Whatever Happened to Equality?, A World In Common, World Powers in the Twentieth Century, Northern Lights and Fins de Siècle, an attempt to enter and recreate the sound world of the final years of each of the past six centuries. Many of these later appeared as books which Snowman helped edit. After leaving the BBC at the end of 1995, Snowman turned increasingly to writing and lecturing. From 2004 he has held a Senior Research Fellowship at London University's Institute of Historical Research; in 2010 he delivered the IHR Annual Fellows’ Lecture.
Personal life
Snowman was briefly married to Alice Harris. In 1975, he married Janet Levison and they have two children, Ben and Anna. The marriage ended in divorce in 2014.Publications
The Hitler Émigrés: The Cultural Impact on Britain of Refugees from Nazism concerned those who, having escaped the shadow of Nazism, found refuge in Britain and made a lasting mark on the nation's intellectual and cultural life, among them some of Britain's most celebrated artists, architects, musicians, choreographers, film makers, historians, philosophers, scientists, writers, broadcasters and publishers.Historians, based on a long-running series of quarterly essays in the magazine History Today. Snowman examined the so-called ‘History Wave’, proposed some reasons for this, and suggested that, as people sought a usable ‘Heritage’ from the past as an aid to their own self-definition, the historian – who mediates between past and present – took on something of the function of the priest of earlier times. In Historians, he wrote about the life and work of some thirty of the most influential, including Asa Briggs, Peter Burke, David Cannadine, Natalie Zemon Davis, Richard J. Evans, Niall Ferguson, Roy Foster, Antonia Fraser, Eric Hobsbawm, Lisa Jardine, Ian Kershaw, Simon Schama and David Starkey.
The Gilded Stage: A Social History of Opera was a pioneering attempt to place the history of opera in its widest historical perspective. Thus, Snowman explored not only the traditional trio of composers, works and artists but also the financing and patronage of opera over the centuries, the changing nature of those in the operatic professions and their audiences, the history of theatrical architecture and of stage design, the impact of new technologies, and the globalization of opera in the 20th century.
Articles and reviews
Articles and reviews by Daniel Snowman have appeared in: BBC History Magazine, BBC Music Magazine, Daily/Sunday Telegraph, Economist, English Historical Review, Gramophone, Guardian, Historical Research, Historically Speaking, History Today, Homes & Gardens, Independent, Jewish Chronicle, Jewish Renaissance, Journal of American Studies, Listener, Literary Review, Living History, Music and Musicians, Musical Times, New Society, New Statesman, Opera, Opera Now, Political Studies, Radio Times, Standard, Sunday Times, Times, Times Literary & Higher Education Supplements, Tribune.His 'Short History of Opera' was used on the official website of the Royal Opera House, Covent Garden, and in spring 2011 he was commissioned by the ROH to undertake an academic assessment of their Archives and historical Collections.
Lectures and public events
Snowman is a Frequent Lecturer at British arts festivals, academic and cultural institutions, luncheon clubs etc, and in a typical year delivers some 40–50 illustrated talks and lectures across the UK and abroad. Since 1999 he has delivered over 600 illustrated lectures to members of The Arts Society. In 2002 and again in 2006 he undertook a two-month, round-the-world lecture-and-research tour, including visits to various parts of Australia, New Zealand and North America. Daniel has also lectured for the Royal Opera, Glyndebourne, English National Opera, the New York Metropolitan Opera Guild and Los Angeles Opera. In winter 2010/11, he delivered a six-part series of public lectures at the Royal Academy of Music on the Social History of Opera, and in 2017 presented a 12-week course at the Victoria and Albert Museum to accompany their major exhibition on the subject – a lecture series he repeated at the V&A in 2018.Lectures and public events have included:
- The Yerushah Lecture
- The Scouloudi Lecture
- The Leo Baeck Lecture
- Paper on 'Why the Public Loves History'
- The 2010 Annual Fellows’ Lecture
- Paper on 19thC opera history
- 2010/11: Six Lectures on the Social History of Opera
- Paper on the Social History of Opera
- Speech on the Social History of Opera
- Paper on 19thC opera politics to the 'Music in Britain' social history seminar
- Introduction to Die Meistersinger: Education Day at Glyndebourne
- Paper to the Anglo-American Conference of Historians, Senate House, London
- Paper to the Institute of Musical Research
- Chaired presentation at Jewish Book Week, King's Place, London: launch of books on Jews and the Fashion Industry in pre-Nazi Berlin and postwar London.
- Spoke at conference 'Cambridge: City of Scholars, City of Refuge, 1933-1945'.
- Lecture on 'Puppetry and Opera': Puppet Centre conference
- Lecture on opera history at the Juilliard School of Music, New York
- Lectures to the New York Metropolitan Opera Guild
- Lecture for the "Viva Verdi!" festival at the Italian Cultural Institute, London
- Martin Miller and Hannah Norbert-Miller Memorial Lecture: The Hitler Emigres Re-visited
- Chaired final plenary session, Institute of Historical Research annual Winter Conference
- Delivered pre-concert talk about Michael Tippett's: A Child of our Time, and sang in the performance: Royal Festival Hall, London
- Lecture to the 120th annual conference of the Jewish Historical Society of England
- Lecture at National Gallery to introduce their exhibition Facing the Modern: Vienna 1900
- Lecture at Royal College of Music to introduce their 3-day international Symposium "Singing A Song in a Foreign Land"
- Lecture at Barber of Institute of Fine Arts, Birmingham re: their exhibition, "Rebel Visions"
- Delivered pre-concert lecture for Classical Opera's inaugural 'MOZART 250' weekend, Milton Court, London
- Chaired panel at Institute of Historical Research conference on 'London and the First World War'
- Speaker: 'Cities of Modernity: European Arts and Architecture 1880-1914': Royal Institute of British Architects
- Organised and chaired two 6-part series of public Seminars at the Institute of Historical Research with leading historians debating how we use and abuse the past. These were held at Senate House during the academic years 2015/16 and 2016/17.
- Lecture at Royal College of Music, London
- Chaired final session of Anglo-French History Conference, London University, Institute of Historical Research, Senate House at Royal College of Music, London
- Pre-performance talk at Martin Lovett tribute event, Royal College of Music, London
- Chaired opening two sessions of conference on 'History Heritage and Ideology: Universities and the Commemoration of Benefactors' at Institute of Historical Research, Senate House, London
- Presented a 12-week course at the Victoria and Albert Museum to accompany their major exhibition on the history of opera.
- Addressed All-party Parliamentary Group on history of opera.
- Gallery Talk at Victoria and Albert Museum.
- Presented ‘Introduction to Salome’ evening at English National Opera
- Chaired Symposium on ‘Operetta’ evening at English National Opera
- Presented 'Introduction to 'Jack the Ripper' evening at English National Opera
- Spoke at Jewish Book Week, King's Place, London.
- Spoke at Oxford Literary Festival
- Gave two lectures about 'Musical Life in Victorian Britain' to mark the bicentenaries of Queen Victoria and Prince Albert
- Presented 'Introduction to Orpheus and Eurydice' evening for English National Opera
- Presented 8-lecture course on the history of opera at Victoria and Albert Museum
- Presented 'Verdi and Victoria: Two of a Kind': Opera Prelude at Cadogan Hall, London
- Chaired presentation at Jewish Book Week, King's Place, London: launch of books on Jews and the Fashion Industry in pre-Nazi Berlin and postwar London.
- Spoke at conference 'Cambridge: City of Scholars, City of Refuge, 1933-1945'.
Tours