Though the satyr is missing both arms, one leg, and its separately-cast tail, its head and torso are remarkably well-preserved despite two millennia spent at the bottom of the sea. The satyr is depicted in mid-leap, head thrown back ecstatically and back arched, his hair swinging with the movement of his head. The facture is highly refined; the whites of his eyes are alabaster inlays. Though some have dated it to the 4th century BCE and said it was an original work by Praxiteles or a faithful copy, it is more securely dated either to the Hellenistic period of the 3rd and 2nd centuries BCE, or possibly to the Roman "Atticising" phase in the early 2nd century CE. A high percentage of lead in the bronze alloy suggests its being made in Rome itself.
Rediscovery and display
The torso was recovered from the sandy sea floor at a depth of off the southwestern coast of Sicily, on the night of March 4, 1998, in the nets of the same fishing boat that had in the previous year recovered the sculpture's left leg. Other well-known underwater finds of Greek bronzes have been retrieved from the Aegean and Mediterranean seas, generally from shipwreck sites: the Antikythera mechanism, the Antikythera Ephebe and the portrait head of a Stoic discovered by sponge-divers at Antikythera in 1900, the Mahdia shipwreck off the coast of Tunisia, 1907; the Marathon Boy off the coast of Marathon, 1925; the standing Poseidon of Cape Artemision found off Cape Artemision in northern Euboea, 1926; the horse and Rider found off Cape Artemision, 1928 and 1937; the Getty Victorious Youth found off Fano on the Adriatic coast of Italy; the Riace bronzes, found in 1972; and the Apoxyomenos recovered from the sea off the Croatian island of Lošinjin 1999. Restoration at the Istituto Centrale per il Restauro, Rome, included a steel armature so that the statue can be displayed upright. When first displayed to the public after conservation, it was hailed as the finest new discovery in Italian waters since the Riace bronzes were found in 1972. On 12 July 2003 it returned to Mazara del Vallo, where it is on permanent display in the Museo del Satiro in the church of Sant'Egidio. There, it is provided with an anti-seismic base, to secure it against tremors in this earthquake zone. From 23 March to 28 June 2007 it toured to the Louvre for their Praxiteles exhibition, and an associated Louvre interactive installation, "Connaître la forme", displayed a replica of it lit in various ways to demonstrate the importance of lighting in displaying a sculpture.
