Damon Runyon


Alfred Damon Runyon was an American newspaperman and short-story writer.
He was best known for his short stories celebrating the world of Broadway in New York City that grew out of the Prohibition era. To New Yorkers of his generation, a "Damon Runyon character" evoked a distinctive social type from the Brooklyn or Midtown demi-monde. The adjective "Runyonesque" refers to this type of character as well as to the type of situations and dialog that Runyon depicted. He spun humorous and sentimental tales of gamblers, hustlers, actors, and gangsters, few of whom go by "square" names, preferring instead colorful monikers such as "Nathan Detroit", "Benny Southstreet", "Big Jule", "Harry the Horse", "Good Time Charley", "Dave the Dude", or "The Seldom Seen Kid". His distinctive vernacular style is known as "Runyonese": a mixture of formal speech and colorful slang, almost always in present tense, and always devoid of contractions. He is credited with coining the phrase "Hooray Henry", a term now used in British English to describe the upper class version of a loud-mouthed, arrogant twit.
Runyon's fictional world is also known to the general public through the musical Guys and Dolls based on two of his stories, "The Idyll of Miss Sarah Brown" and "Blood Pressure". The musical additionally borrows characters and story elements from a few other Runyon stories, most notably "Pick The Winner". The film Little Miss Marker grew from his short story of the same name.
Runyon was also a newspaper reporter, covering sports and general news for decades for various publications and syndicates owned by William Randolph Hearst. Already known for his fiction, he wrote a well-remembered "present tense" article on Franklin Delano Roosevelt's Presidential inauguration in 1933 for the Universal Service, a Hearst syndicate, which was merged with the co-owned International News Service in 1937.

Life and work

Damon Runyon was born Alfred Damon Runyan to Alfred Lee and Elizabeth Runyan. His relatives in his birthplace of Manhattan, Kansas included several newspapermen. His grandfather was a newspaper printer from New Jersey who had relocated to Manhattan, Kansas in 1855, and his father was editor of his own newspaper in the town. In 1882 Runyon's father was forced to sell his newspaper, and the family moved westward. The family eventually settled in Pueblo, Colorado in 1887, where Runyon spent the rest of his youth. By most accounts, he attended school only through the fourth grade. He began to work in the newspaper trade under his father in Pueblo. In present-day Pueblo, Runyon Field, the Damon Runyon Repertory Theater Company, and Runyon Lake are named in his honor.
In 1898, when still in his teens, Runyon enlisted in the U.S. Army to fight in the Spanish–American War. While in the service, he was assigned to write for the Manila Freedom and Soldier's Letter.
After his military service, he worked for Colorado newspapers, beginning in Pueblo. His first job as a reporter was in September 1900, when he was hired by the Pueblo Star; he then worked in the Rocky Mountain area during the first decade of the 1900s: at the Denver Daily News, he served as "sporting editor" and then worked as a staff writer. His expertise was in covering the semi-professional teams in Colorado; he even briefly managed a semi-pro team in Trinidad, Colorado. At one of the newspapers where he worked, the spelling of his last name was changed from "Runyan" to "Runyon", a change he let stand.
After failing in an attempt to organize a Colorado minor baseball league, which lasted less than a week, Runyon moved to New York City in 1910. In his first New York byline, the American editor dropped the "Alfred" and the name "Damon Runyon" appeared for the first time. For the next ten years he covered the New York Giants and professional boxing for the New York American.
He was the Hearst newspapers' baseball columnist for many years, beginning in 1911, and his knack for spotting the eccentric and the unusual, on the field or in the stands, is credited with revolutionizing the way baseball was covered. Perhaps as confirmation, Runyon was inducted into the writers' wing of the Baseball Hall of Fame in 1967. He is also a member of the International Boxing Hall Of Fame and is known for dubbing heavyweight champion James J. Braddock, the "Cinderella Man". Runyon frequently contributed sports poems to the American on boxing and baseball themes, and also wrote numerous short stories and essays.
One year, while covering spring training in Texas, he met Pancho Villa in a bar and later accompanied the unsuccessful American expedition into Mexico searching for Villa. It was while he was in Mexico that he met the young girl whom he eventually married.
Gambling, particularly on craps or horse races, was a common theme of Runyon's works, and he was a notorious gambler himself. One of his paraphrases from a line in Ecclesiastes ran: "The race is not always to the swift, nor the battle to the strong, but that's how the smart money bets."
A heavy drinker as a young man, he seems to have quit drinking soon after arriving in New York, after his drinking nearly cost him the courtship of the woman who became his first wife, Ellen Egan. However, he remained a heavy smoker.
His best friend was mobster accountant Otto Berman, and he incorporated Berman into several of his stories under the alias "Regret, the horse player". When Berman was killed in a hit on Berman's boss, Dutch Schultz, Runyon quickly assumed the role of damage control for his deceased friend, correcting erroneous press releases.
Runyon's marriage to Ellen Egan produced two children, but broke up in 1928 over rumors that Runyon had become infatuated with Patrice Amati del Grande, a Mexican woman he had first met while covering the Pancho Villa raids in 1916 and discovered once again in New York, when she called the American seeking him out. Runyon had promised her in Mexico that if she would complete the education he paid for her, he would find her a dancing job in New York. She became his companion after he separated from his wife. After Ellen Runyon's death, Runyon and del Grande married on July 7, 1932; that marriage ended in 1946 when she left him for a younger man.
Runyon died in New York City from throat cancer in late 1946, at age 66. His body was cremated, and his ashes were scattered from a DC-3 airplane over Broadway in Manhattan by Captain Eddie Rickenbacker on December 18, 1946. This was an infringement of the law, but widely approved. The family plot of Damon Runyon is located at Woodlawn Cemetery in The Bronx, New York.

Legacy

The English comedy writer Frank Muir comments that Runyon's plots were, in the manner of O. Henry, neatly constructed with professionally wrought endings, but their distinction lay in the manner of their telling, as the author invented a peculiar argot for his characters to speak. Runyon almost totally avoids the past tense, and makes little use of the future tense, using the present for both. He also avoided the conditional, using instead the future indicative in situations that would normally require conditional. An example: "Now most any doll on Broadway will be very glad indeed to have Handsome Jack Madigan give her a tumble". Bentley comments that "there is a sort of ungrammatical purity about it , an almost religious exactitude." There is an homage to Runyon that makes use of this peculiarity which involves a time machine and a man going by the name "Harry the Horse".
He uses many slang terms, such as:
There are many recurring composite phrases such as:
Bentley notes that Runyon's "telling use of the recurrent phrase and fixed epithet" demonstrates a debt to Homer.
Runyon's stories also employ occasional rhyming slang, similar to the cockney variety but native to New York.
The comic effect of his style results partly from the juxtaposition of broad slang with mock-pomposity. Women, when not "dolls", "Judies", "pancakes", "tomatoes", or "broads", may be "characters of a female nature", for example. He typically avoided contractions such as "don't" in the example above, which also contributes significantly to the humorously pompous effect. In one sequence, a gangster tells another character to do as he is told, or else "find another world in which to live".
Runyon's short stories are told in the first person by a protagonist who is never named, and whose role is unclear; he knows many gangsters and does not appear to have a job, but he does not admit to any criminal involvement, and seems to be largely a bystander. He describes himself as "being known to one and all as a guy who is just around". The radio program The Damon Runyon Theatre dramatized 52 of Runyon's works in 1949, and for these the protagonist was given the name "Broadway", although it was admitted that this was not his real name, much in the way "Harry the Horse" and "Sorrowful Jones" are aliases.

Literary works

Books

There are many collections of Runyon's stories, in particular Runyon on Broadway and Runyon from First to Last. A publisher's note in the latter claims that collection contains all of Runyon's short stories not included in Runyon on Broadway, but two Broadway stories originally published in Collier's Weekly are not in either collection: "Maybe a Queen" and "Leopard's Spots", both collected in More Guys And Dolls. The radio show, in addition, has a story, "Joe Terrace", that does not appear in Runyon's book collections but was published in the August 29, 1936, issue of Colliers. It is one of his "Our Town" stories, and the only episode of the show which is not in Runyonese.
The "Our Town" stories are short vignettes of life in a small town, largely based on Runyon’s experiences in his home town of Pueblo, Colorado. They are written in a simple, descriptive style and contain twists and odd endings based on the personalities of the people involved. Each story’s title is the name of the principal character. Twenty-seven of them were published in the 1946 book In Our Town.
Runyon on Broadway contains the following stories:
More Than Somewhat
Furthermore
Take It Easy
Runyon from First to Last includes the following stories and sketches:
The First Stories :
Stories à la Carte :
The Last Stories :
Written in Sickness :
Twenty of his stories became motion pictures.
In 1938, his unproduced play Saratoga Chips became the basis of The Ritz Brothers film Straight, Place and Show.

Plays and musicals

The Damon Runyon Theater radio series dramatized 52 of Runyon's short stories in weekly broadcasts running from October 1948 to September 1949. The series was produced by Alan Ladd's Mayfair Transcription Company for syndication to local radio stations. John Brown played the character "Broadway", who doubled as host and narrator. The cast also comprised Alan Reed, Luis Van Rooten, Joseph Du Val, Gerald Mohr, Frank Lovejoy, Herb Vigran, Sheldon Leonard, William Conrad, Jeff Chandler, Lionel Stander, Sidney Miller, Olive Deering and Joe De Santis. Pat O'Brien was initially engaged for the role of "Broadway". The original stories were adapted for the radio by Russell Hughes.
"Broadway's New York had a crisis each week, though the streets had a rose-tinged aura", wrote radio historian John Dunning. "The sad shows then were all the sadder; plays like For a Pal had a special poignance. The bulk of Runyon's work had been untapped by radio, and the well was deep."

Television

Damon Runyon Theatre aired on CBS-TV from 1955 to 1956.
Mike McShane told Runyon stories as monologues on British TV in 1994, and an accompanying book was released, both called Broadway Stories.