Born Llewellyn Bevan Wyndham Lewis to a family of Welsh origin then living in Seaforth, he dropped his first name and replaced it with "Dominic" following his conversion to Roman Catholicism in 1921. After schooling in Cardiff, he served in the Welch Regiment during World War I. He twice suffered from shell-shock while serving in France and contracted malaria on being assigned to Macedonia. On 29 October 1918, Lewis married Winifred Mary Holland, with whom he had one daughter, the future actress Angela Wyndham Lewis. The couple divorced in 1926 and in July 1933 Lewis married Dorothy Anne Robertson, with whom he had two sons. Lewis had originally intended to take up a legal career, but after the war he decided on journalism and joined the Daily Express, where he was briefly the newspaper's Literary Editor. In 1919 he was put in charge of the paper's humorous 'By the Way' column, using the pen nameBeachcomber, originated by his predecessor. A selection of these was published as At the Green Goose in 1923. From there he moved on to the Daily Mail, where he contributed a column called 'At the Sign of the Blue Moon', selections from which were published in 1924 and 1925. Wyndham-Lewis lived in Paris from the mid-1920s while doing historical research for his entertaining biography of François Villon. Later biographies of French subjects included Louis XI, the Emperor Charles V, Ronsard, Molière, Rabelais and Gilles de Rais. He also wrote works on Boswell, Goya and Cervantes. After returning to Britain, Lewis published as 'Mustard and Cress' in the Sunday Referee until 1935 and then returned as a columnist to the Daily Mail, and later a decade-long column as Timothy Shy for the News Chronicle. In addition, he co-wrote, with Charles Bennett, the screenplay for the first version of Alfred Hitchcock'sThe Man Who Knew Too Much. He also supplied the lyrics for the Storm Clouds Cantata, featured in the film's climatic Albert Hall scene. This was followed by various other British film scripts during the 1930s. Wyndham-Lewis also made a name for himself as a compiler of the facetious anthology The Stuffed Owl, co-edited with Charles Lee in 1930. A collection of 'good Bad Verse', it featured excerpts from well-known authors at considerably less than their best as well as many others now forgotten. This was followed in 1936 by The Nonsensibus, "driven by D.B.Wyndham Lewis". In 1952 he collaborated with Ronald Searle on The Terror of St Trinian's. Though he was often confused with his contemporary, the painter and author Percy Wyndham Lewis, they were not related.
