native and lyricist Cynthia Genser had experienced the evolution of the early punk rock scene with bands like the Ramones, Patti Smith and Television. When Genser relocated to Seattle in the mid-1970s she connected with the city's blooming punk rock underground to recruit musicians for her own project Chinas Comidas. The first line-up consisted of members of fellow Seattle art-punk groups Red Dress and The Tupperwares, including drummer Eldon "El Duce" Hoke. By 1978, a stable line-up consisting of Genser, Red Dress guitarist Richard Riggins, bassist Dag Midtskog, keyboard player Mark Wheaton and his brother Brock Wheaton on drums had been established. Chinas Comidas performances were highly influenced by Patti Smith and alternated between the band playing the Clash and Television influenced songs and Genser's recitals of radical feminist and highly political poetry. This concept often provoked resistance from the more traditional punk rock crowd, and staged violence would often occur during shows, even including brawls with members of other punk rock groups. The band shared the stage with other early Seattle underground acts like the Telepaths, the Tupperwares, the Beakers, and the aforementioned Red Dress. Touring bands for which Chinas Comidas played as the opening act included D.O.A., Black Flag and Ultravox. In addition to band shows, Genser also did solo poetry readings and shared the stage with fellow Seattle beat poetSteven Jesse Bernstein.
Relocation to Los Angeles
In 1978, Chinas Comidas released their first EP entitled Peasant/Slave on their own label Exquisite Corpse Records. The record helped garner attention to the band and was followed by the 7" single Snap the following year. Like other ambitious Seattle bands, Chinas Comidas were frustrated by the limited potential of the city's late seventies independent music scene. After planning to open for the Dead Kennedys on selected dates the group decided to relocate to Los Angeles. The Chinas Comidas singles had received very positive reviews in the L.A.-based Slash punk rock fanzine, and the editor had invited the band to come there and possibly help getting more songs recorded. Chinas Comidas played venues like the Whisky A Go-Go and shared bills with Fear, Germs, Redd Kross and other classic West Coast punk rock and hardcore punk groups. The band was well-received by music critics as well as fellow musicians such as Sonic Youth's Thurston Moore who stated: "Chinas Comidas were the real deal. Exciting, intriguing and intoxicating”. However, no record contract could be secured - a tentative signing to Slash Records reportedly didn't come to fruition as the label had just signed The Go-Go's and didn't have enough capacity to promote both bands - and in 1980 Chinas Comidas disbanded.
Post-breakup
After Chinas Comidas broke up, Genser and Riggins returned to New York and Seattle respectively while the remaining band members stayed in Los Angeles, collaborating among others with fellow Seattle expatriate Johanna Went. Genser also continued to publish poetry and was associate professor of English in the Honors Program at The College of New Rochelle, New York. In 2007, a one-off reunion of Chinas Comidas in Seattle was scheduled for the release of the CD anthology "Chinas Comidas", a collection of the band's released songs as well as unreleased material. Due to a death in her family, Genser was unable to attend the show, however, Riggins and Midtskog performed at the event. In June 2014, Genser and Riggins performed Chinas Comidas songs as a part of an exhibition entitled When Punk was Punk 1977 which also featured posters, recordings and other memorabilia from the band's history. In July 2016, Riggins and Genser performed a set of Chinas Comidas songs at Fantagraphics Comics and Books as part of their "Hot off the Press" event coinciding with the Georgetown Art Attack. In 2018, Spanish record label Take the City Records released the "Chinas Comidas" CD compilation on 12" vinyl; Riggins and Genser have also recorded new songs and are planning to play dates in Europe to support the vinyl release.
