The son of a tax lawyer and an English teacher, Vergara began to draw even before he started school. He considered drawing a hobby, and did not want it to be part of his profession. Though he had been accepted in the College of Architecture at the University of the Philippines, he opted to take Marketing Management at the De La Salle University, and graduated in 1990. It was during his stay at the De La Salle when he won his first literary award from the university's annual awards for literature--Solitude bagged third place in the English poetry category. He was also an art staff of a university news publication The La Sallian. A few years after graduating, Vergara joined the university's theater organization, the Harlequin Theater Guild, where he acted in productions of Shirley Jackson's The Lottery, Susan Glaspell's Trifles, Agatha Christie'sTowards Zero, and Wilfrido Ma. Guerrero's Forever. Beginning in 1993, Vergara spent almost a decade working in public relations and corporate communications as a staff writer, photographer, graphic designer, and on occasion, special events host. It was during this time when he began to take serious interest in graphic design. Though drawing had always been his hobby, Vergara never attempted to tackle a full-blown comics project until mid-1993. Flashpoint was a comics series he co-created with friends from De La Salle, and was published by Straight Lines International. After four issues, Flashpoint was discontinued, and Vergara stopped drawing comics for a few years. He, however, became a member of Alamat, an informal group of comics creators and enthusiasts. In 1994, he auditioned for a part in the New Voice Company production of the Asian premiere of Tony Kushner's Angels in America. He bagged a part, alternating the role of Louis Ironson with Philippine theater veteran Bart Guingona. Though reviews to his professional debut were mostly lukewarm to negative, Vergara continued his acting training with the New Voice Company. He subsequently performed in the independently produced productions of David Gobeil Taylor's Waiting for Homo and Anton Chekhov's The Boor. It was during these years when he had feature articles published in the now defunct Cutting Edge magazine and The Manila Times. In 1999, he went back to the De La Salle University to teach a website design course for a term. During this period, he collaborated with writer David Hontiveros on an independent comic book, Pantheon, marking Vergara's return as an artist to the comics medium. His first foray into self-publishing was in 2001, when he produced, wrote and illustrated One Night in Purgatory, a short comics tale about homosexual love. The comicbook was nominated by the Manila Critics Circle for a National Book Award the following year, and was cited by the Sanghaya Yearbook of the state-run National Commission for Culture and the Arts. In 2002, Vergara produced his second graphic novel, Ang Kagila-gilalas na Pakikipagsapalaran ni Zsazsa Zaturnnah. The graphic novel earned recognition from the Manila Critics Circle in 2003, thus giving Vergara his first National Book Award. The book was later adapted into a musical and feature film in 2006. In the nominees list of the 30th Gawad Urian, Vergara was cited along with Dinno Erece in the screenplay category. For the musical's soundtrack album, Vergara asked musical director/composer Vincent deJesus for a slot in the track list. DeJesus did a piano arrangement for the song "Ayoko Nang Mabuhay Nang Ganito", the lead character's torch song, to which Vergara lent his vocals. Formerly the art director of Summit Publishing's Real Living magazine, creative director of the company's Special Publications group, and creative director of the Philippine edition of Good Housekeeping magazine, a publication licensed through Hearst Magazines International, Vergara is currently working on the sequel to the Zsazsa Zaturnnah story. The first part of the sequel Zsazsa Zaturnnah sa Kalakhang Maynila was released in January 2012, and subsequently earned Vergara his second Philippine National Book Award in 2013. For that book, he was also nominated for Best Book Design. Vergara wrote the one-act play Kung Paano Ako Naging Leading Lady, which was accepted and presented in June 2013 during the 9th Virgin LabFest, a festival of new theatre material, organized by The Tanghalang Pilipino Foundation and The Writer's Bloc, Inc. A comics adaptation of the play, illustrated by Elmer Cantada, was released in November 2013. In 2014, he completed art for the webcomic Ma, Sarap!, written by Jamie Bautista.
