Sternheim was born in Leipzig, the son of Rosa Marie Flora and Carl Julius Sternheim, a banker. His parents married two years after he was born. His father was Jewish and his mother was a Lutheran from a working-class family. Sternheim grew up in Hannover and Berlin. Between 1897 and 1902, he studied philosophy, psychology, and jurisprudence intermittently at the Universities of Munich, Göttingen, and Leipzig, but never graduated. In 1900, he began working as a freelance writer in Weimar, where he met and married his first wife Eugenie Hauth the same year. Their union ended in 1906 and he married the writer Thea Löwenstein in 1907, with whom he had two children. Their daughter Dorothea was a resistance fighter during the Second World War and was detained by the Nazi's in Ravensbrück concentration camp. in IxellesThe wealth brought by Thea from her rich manufacturing family enabled the couple to build the Schloss Bellemaison in Munich. Here, Sternheim worked in the company of fellow artists such as Mechtilde Lichnowsky, Max Reinhardt, and Frank Wedekind, and assembled his own art collection. In 1908, he collaborated with Franz Blei to launch the Expressionist literary journalHyperion, which published the first eight prose works by Franz Kafka. He also contributed occasionally to the Expressionist journal Die Aktion. In 1912, he relocated with his family to Belgium and in 1918, they fled the fighting of World War I and temporarily moved to St. Moritz and Uttwil in Switzerland. Sternheim and Thea divorced in 1927. His next marriage, to actress and singer Pamela Wedekind, took place in 1930 and lasted until 1934, after which he lived with Henriette Carbonara. Sternheim died in Ixelles during World War II and was buried in the Ixelles Cemetery. A friend of his, Marcel Hastir, was buried in the same tomb. Sternheim's circle of prominent friends included Gottfried Benn, Carl Einstein, Franz Pfemfert, Walther Rathenau, Ernst Stadler, Hugo von Tschudi, Fritz von Unruh, and Otto Vrieslander. In 1915, he presented the prize money for the Fontane Prize to the then largely unknown Kafka. The Nazi authorities banned Sternheim's work not only because of his partial Jewish descent but also because of his savage comedic assaults on the perceived moral corruption of the German bourgeoisie.
Adaptations
Sternheim's works remain popular in Germany, but English language productions of them are rare. This is in part due to the large number of English comedies already in existence, bypassing the need for translations of German comedies. Academics have also argued that Sternheim's works are sometimes hard to sell to the market in foreign languages due to the difficulty in categorising his style as belonging to any one specific movement. As a result, Sternheim's plays have rarely been produced in a major venue. One notable exception occurred when Simon Callow made his West End debut in a version of Bürger Schippel alongside Harry Secombe in the 1970s. However, in August 2011, both Paul Schippel Esq. and The Fossil, another of Sternheim's comedies, were performed as a double-bill at the Charing Cross Theatre, London, with Kieran E. Sims and Alex Corbet Burcher in the respective title roles. In December 2018, a new adaptation of three of the short plays from Aus dem bürgerlichen Heldenleben by David Ives premiered at the Shakespeare Theatre Company in Washington, D.C. The Panties, The Partner, and The Profit were adapted from Die Hose, Der Snob and 1913, and produced with the subtitle Scenes From the Heroic Life of the Middle Class.
