Carl Gotthard Langhans


Carl Gotthard Langhans was a Prussian master builder and royal architect. His churches, palaces, grand houses, interiors, city gates and theatres in Silesia, Berlin, Potsdam and elsewhere belong to the earliest examples of Neoclassical architecture in Germany. His best-known work is the Brandenburg Gate in Berlin, national symbol of today’s Germany and German reunification in 1989/90.

Life

Langhans was born in Landeshut, Silesia. He was not educated as an architect. He studied law from 1753 to 1757 in Halle, and then mathematics and languages, and engaged himself autodidactically with architecture, at which he concentrated primarily on the antique texts of the Roman architecture theorist Vitruvius.
His draft for "Zum Schifflein Christi", the Protestant Church in Groß-Glogau, earned him his first recognition as an architect. In the same year, he received an appointment as building inspector for the Count of Hatzfeld, whose war-ravaged palace Langhans rebuilt to his own design between 1766 and 1774. Through the intervention of the Count of Hatzfeld, he also became known in the royal court in Berlin. As his first work in the service of the royal family, he built in 1766 the stairwell and the Muschelsaal in Rheinsberg Palace.
From 1775 until 1788, Langhans headed the building authority for the Prussian province of Silesia. In 1788, the Prussian King Frederick William II appointed him as first director of the royal building commission in Berlin.
He died on his estate at Grüneiche near Breslau.

Family

In 1771, Langhans married Anna Elisabeth Jaeckel, the daughter of a jurist in Breslau. They had five children: daughters Louise Amalie and Juliane Wilhelmine, a son, theater architect Carl Ferdinand, as well as two other children, who died soon after birth.
From 1782 he lived with his family in his in-laws' house at Albrechtstraße 18 in Breslau. In 1788, they moved to Berlin, where he built his own house and lived at Charlottenstraße 31, at the corner of Behrenstraße.

Study trips

Toward the end of the 18th century and the beginning of the 19th century, it was a great dream for every artist to undertake a trip to Italy in order to be able to study the antique buildings with one's own eyes. The fulfillment of this dream was not granted only to Goethe and Schinkel, but Langhans, too, was able to afford a trip in 1768 and 1769 thanks to the support of the Count of Hatzfeld. When he was later assigned to be the head of the Breslau war and dominion chamber, he visited England, Holland, Belgium, and France on behalf of and at the expense of the king.

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