Cape May Historic District
The Cape May Historic District is an area of with over 600 buildings in the resort town of Cape May, Cape May County, New Jersey. The city claims to be America's first seaside resort and has numerous buildings in the Late Victorian style, including the Eclectic, Stick, and Shingle styles, as well as the later Bungalow style, many with gingerbread trim. According to National Park Service architectural historian Carolyn Pitts, "Cape May has one of the largest collections of late 19th century frame buildings left in the United States... that give it a homogeneous architectural character, a kind of textbook of vernacular American building."
Geography
The City of Cape May sits at the south end of Cape May Peninsula which divides the Atlantic Ocean from the Delaware Bay. Cape May Point, about two miles west of the City of Cape May, borders the Bay, while Cape May City borders the Ocean. Cape Island Creek, a tidal "creek" and marsh, originally divided the site of the city from the rest of Cape May, but its southern end has long been covered with landfill. The Cape May Canal, built in 1942, now divides both Cape May City and Cape May Point from the rest of the peninsula.History of Cape May
Cape May was first discovered by Europeans by Henry Hudson on August 28, 1609. He landed on the shore of Delaware Bay a few miles north of Cape May Point before returning to the Atlantic Ocean.Cornelius Mey explored the area further in 1621 for the Dutch West India Company and by May, 1630 Samuel Godyn and Samuel Blommaert bought land for the Dutch from Native Americans covering the southern four miles of the Cape.
In 1632 the Dutch established a fishing and whaling settlement in the area, but by 1638 colonists from New England had moved in. By the 1660s the English gained control and Daniel Coxe, a London Quaker, organized a government in 1687.
Early settlers worked in the lumber, shipbuilding, whaling, fishing and shellfish industries. A road along the coast built in 1796 helped establish the hamlet of Cape May.
The early emergence of Cape May as a summer resort was due to easy transport by water from Philadelphia to the Atlantic Ocean. Early Cape May vacationers were carried to the town on sloops from Philadelphia, and water transport was also easy from New York, Baltimore, Washington, D.C. and points south. Southerners later became a large proportion of summer vacationers. The resort business in Cape May began to thrive when regular steamboat traffic on the Delaware River began after the War of 1812, carrying passengers from Philadelphia and New Castle, Delaware. Commodore Stephen Decatur made his summer home at the Atlantic Hotel about this time. The predecessor of the Congress Hall Hotel was opened in 1816 by Thomas Hughes. It took its current name in 1828, when Hughes was elected to Congress. In 1830 a visitor wrote that
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Early visitors included Henry Clay in 1847, and possibly Abraham Lincoln in 1849. Serving Presidents who visited included Franklin Pierce, James Buchanan, Ulysses Grant, Chester Arthur, and Benjamin Harrison. Harrison made Congress Hall his Summer White House. From the 1850s through the 1880s up to 3,000 visitors arrived each day during the summer season. Newport, Rhode Island, Saratoga Springs, New York and Long Branch, New Jersey were the town's main rivals in the summer resort business, as Cape May's reputation rose and fell with the whims of fashion.
During the 1850s summer cottages were first built and the construction of large hotels continued. Thomas U. Walter, the Architect of the Capitol, designed an addition to the Columbia Hotel. The Mount Vernon Hotel, which was designed to be the largest hotel in the world burned down in 1856, however, before its completion. Competition from Atlantic City appeared in 1854 with the construction of the Camden and Atlantic Railroad. Cape May was not connected to Philadelphia by rail until the completion of the Cape May & Millville Railroad in the mid-1860s.
Architect Stephen Decatur Button began designing buildings in Cape May in 1863 when he remodeled and expanded the Columbia Hotel. During the next thirty years he designed over forty buildings in the town. His best known buildings there include the John McCreary House, Jackson's Clubhouse, the Stockton Cottages, the Windsor Hotel and the Atlantic Terrace Houses. Plans for the George Allen House are believed to have been taken from a pattern book by Samuel Sloan. Architect Frank Furness is believed to have designed the Emlen Physick Estate, but may have otherwise visited Cape May only as a vacationer. Otherwise most of the buildings were built and designed by local builders in the vernacular style, borrowing from older buildings, pattern books and fashionable architects alike.
Several fires destroyed portions of the town and the mostly wooden, frame-built houses. The fire of 1878 destroyed about half the town, but many buildings were quickly rebuilt. This fire gave a particular boost to Button's career, and many of the local builders appear to have copied Button's style at this time. These newer buildings were built with gingerbread trim, gables and turrets.
From about 1900-1920 larger bungalows and mansions were built, especially on Beach Avenue on the eastern end of town. Having lost its transportation advantage with the coming of the railroad and the automobile, Cape May fell out of fashion as a popular resort. Atlantic City became the popular New Jersey beach resort in the 1920s and in the 1950s and 1960s the automobile-oriented Wildwoods, just north of Cape May, became a strong competitor, with its own distinctive architecture.
The district was added to the National Register of Historic Places in 1970, and then listed as a National Historic Landmark District in 1976. The NRHP nomination form does not include an inventory of the buildings in the district, but rather refers to about 20 buildings that were documented by drawings or photographs by the Historic American Buildings Survey. HABS now lists about 70 buildings in the district.
Architectural historians George E. Thomas and Carl Doebley list 100 significant buildings in their 1976 book Cape May, Queen of the Seaside Resorts: Its History and Architecture.
Selected contributing properties
in the district include the following. Construction dates may be approximate. T&D reference gives the reference number from George E. Thomas and Carl Doebley's book with Roman numerals indicating the more significant buildings, and Arabic numerals the less significant buildings. Both lists are ordered by approximate date of construction. HABS reference links to the building's page in the Historic American Buildings Survey at the Library of Congress.Name | Image | Address | Date | Architect | Builder | Notes | T&D reference | HABS reference |
| 1886 | Unknown | Ware and Eldredge | In the Mt. Vernon tract | 43 | |||
1863-64 | Plans from Samuel Sloan | Henry Phillipps | An elegant Italianate villa, called "one of the State's most impressive 19th-century seaside structures." | |||||
Arlington Hotel | Grant and North Streets | 1878 | Unknown | Joseph Q. Williams | Also known as Huntington House. | 25 | ||
Atlantic Terrace Houses | 1891-92 | Stephen Decatur Button | William Cassedy | Seven essentially identical balloon frame houses built on the site of the Atlantic Hotel. Three stories in height, with a one-story porch and a bay window with an ogee roof at the second story, they face an off-street courtyard. | ||||
| 1895 | Frank Gugert | Unknown | 53 | ||||
Baltimore Hotel | | 1867 or later | Unknown | Unknown | In 1896 the Episcopal church established The Girls' Friendly Society here. | |||
Beirn's Cottage | 1879 | Enos Williams | Enos Williams | AKA Avenue House. | 29 | |||
| 1911 | Frank Seeburger | Unknown | Georgian Revival style with two-story porches. | ||||
1881-82 | Enos Williams | Williams and Cassidy | Corner tower reflects the influence of the J. McCreary house. | 33 | ||||
Cape Island Baptist Church | 1916 | Ferdinand Witt | Winchester Bonham | 67 | ||||
Cape Island Presbyterian Church | 1853 | Unknown | Peter Hand | Wooden construction with an "onion-style" cupola. First of two churches built by the congregation. | ||||
Cape Island Presbyterian Church | Hughes and Decatur | 1898 | Isaac Purcell | George West | Third church built by the congregation and currently used by it. | |||
Cape May City Firehouse | 1875 | none | Enos Williams | Across the street from the current fire station | 19 | |||
Cape May High School | Washington St. | 1917 | Henry Vaughn | William Porter | Now used as city hall | 68 | ||
Carroll Villa | | 1882 additions 1892 and 1895 | Unknown | Charles Shaw for George Hildreth. | Eclectic Victorian style with Italianate motifs. Named for Charles Carroll to attract clientele from Maryland. | |||
Chalfonte Hotel | NW corner of Howard and Sewell St. | 1875, 1876, 1879, 1888, etc. | Unknown | C.Shaw, D.D. Moore & Sons, and others | Originally built for Henry Sawyer. "Cape May's oldest and most ornate large hotel." | |||
1888 | Unknown | Hand and Ware | Shingled walls and gable and turned porch posts. | 44 | ||||
Cold Spring Life Saving Station | | 1890 | Unknown | Unknown | Now Kiwanis Club | 47 | ||
Colonial Hotel | | 1894-95 | William and C.S. Church | William and C.S. Church | South wing added 1905. | |||
Congress Hall | 1879 | J.F. Meyer | Richard Dobbins | Three-story veranda with mansard roof. Very large hotel visited by several presidents, including Benjamin Harrison who had offices here in 1891. Third hotel on the site. S.D. Button addition 1880. | ||||
Cook's Villa | | 1879 | Unknown | Wiliam L. Cummings | Second Empire style, with two-story porch with pierced tile trimming. Also known as Fryer's Cottage. | 28 | ||
Denizot's Ocean View House | Decatur and Beach Avenues | 1879 | Unknown | Unknown | 27 | |||
Ebbitt House | 1879 | Enos Williams | Enos Williams | Also known as Virginia Cottage. | 30 | |||
| 1882-83 | Stephen Decatur Button | Joseph Stretch | Simple proportions and horizontal form typical of Button. | ||||
1870-71 | Stephen Decatur Button | Hand and Ware | 13 | |||||
First Baptist Church | 1879 | C.H. Brown | Charles Shaw | Congregation moved to Cape Island Baptist Church in 1916. This building became the Franklin Street United Methodist Church, and is now condominiums. One story built in the Gothic Revival style. The spire was destroyed by lightning in the early 20th century. | ||||
1910-11 | J.A. Dempwald | Original cost $35,000 | 58 | |||||
1870 | Unknown | R.J.Dobbins | Owned, but not designed, by famous architect Frank Furness | 10 | ||||
1882-83 | Charles Shaw | Charles Shaw | Originally identical to the Hildreth Cottage. | 38 | ||||
1888 or 1889 | Unknown | Unknown | 45 | |||||
| 1914 | Unknown | Otis Townsend | 63 | ||||
| 1912 | Unknown | Sherman Sharp | First and most expensive of 5 similar houses. | 60 | |||
1912 | Lloyd Titus | Unknown | Eclectic style. | |||||
1881-82 | Unknown | Unknown | Conservative, symmetrical, but rich design. | 37 | ||||
1868 | Unknown | Unknown | ||||||
1916 | Dehmond, Ashmead, Bickley | Sherman Sharp | Built on Cape May Real Estate Co. land after its liquidation. | 66 | ||||
1879-80 | Enos Williams | Samuel Colladay | Typical Gothic Revival center-gabled cottage with elaborate porch. | |||||
Harrison, Warne and Morris Houses | 1867-68 | Stephen Decatur Button | Hand and Ware | All similar except that the Morris House has cast iron used on the porch. | ||||
1914 | Ferdinand Witt | York Brothers | Six bedrooms, 3 baths, 3 servant rooms and a garage with chauffeur's quarters. | |||||
1882 | - | Charles Shaw | Hexagonal porch reflects Button's influence. | |||||
1885 | Unknown | Francis Duke | 40 | |||||
1910-11 | Frank Seeburger | Metzger and Wells | Interesting double gable. Original cost $20,000. | 57 | ||||
House at 10 Broadway | | Unknown | Unknown | |||||
House at 815 Kearney | | Unknown | Unknown | Shingle style. | ||||
House at 817 Kearney | Unknown | Unknown | Shingle style. | |||||
| 1881, renovated in the 1890s | Unknown | George Stretch | 1890s addition added plumbing and ornament. | 35 | |||
Jackson's Clubhouse | | 1872 | Stephen Decatur Button | Hand and Ware | Originally a gambling club. "S.D. Button's finest surviving design in Cape May." | |||
Columbia and Franklin | 1899-1900 | Unknown | York Bros. | Colonial Revival style, with some decorative millwork. | 52 | |||
1913-14 | Unknown | Sherman Sharp | Several features indicate a new "East Cape May" style. | 62 | ||||
| 1882 | Unknown | Unknown | Moved from 225 Congress St. in 1970. Now known as the Pink House. "A tour de force in decorative millwork." | ||||
1882-83 | Stephen Decatur Button | Unknown | Nearly identical to the Evans House next door. | 36 | ||||
1879 | Unknown | Unknown | Permanent awning a recent addition. | 31 | ||||
1895 | Unknown | Ware and Eldredge | Tiny cottage with complex front. Roseman Cottage on the right. | 51 | ||||
| 1887 | Charles Collum | Unknown | Queen Anne style. | ||||
| 1870 | Unknown | Unknown | Stone basement and porch with Doric columns added 1905. | 14 | |||
Kearney and Jefferson Streets | 1875 | Unknown | Unknown | Moved from Ocean and Columbia Avenue around 1900 | 23 | |||
Macomber Hotel | | 1919 or later | Unknown | Unknown | Reflects the "quiet middle-class resort of the 1920s." | 69 | ||
1868-72 | Peter McCollum | Richard Souder | A basic formula was used by developer Peter McCollum, usually with contractor Richard Souder. After one house was built and sold, another would be built nearby. | |||||
1882 or later | Unknown | Unknown | Sophisticated form, possibly from a Philadelphia architect. | 39 | ||||
1873 | Stephen Decatur Button | Ware and Eldridge | 18 | |||||
| 1869-70 | Stephen Decatur Button | Richard Dobbins | Also known as the Christian Science Society. | ||||
1922-1924 | Zantzinger, Borie, and Medary attributed | W.L. Cummings attributed | Known locally as the "Mae West house" due to its protruding porches. | 70 | ||||
| 1888 | Charles Shaw | Charles Shaw | 46 | ||||
1912 | Brochie and Hastings | Sherman Sharp & Co. | Colonial Revival | 59 | ||||
1865-66 | Unknown | Unknown | ||||||
| 1865-66 | Unknown | Unknown | Converted from a stable into a cottage. | ||||
New Jersey Trust and Safe Deposit | | 1895 | Thomas Stephens | Samuel Wiley | Small Renaissance Revival style first used as a bank, then as city hall, now as a store. | |||
New York Avenue Development House | 1909-11 | C.E. Shermerhorn | Unknown | One of 21 originally identical houses, all modified in 1916. | 56 | |||
1895 | Unknown | George Ogden | Ogden was a lumberyard operator and contractor. He may have sold the "standard gingerbread" elements from his lumberyard. | 48 | ||||
1896 or later | Unknown | Unknown | Similar in design to Aaron Roseman Cottage | 49 | ||||
| 1878-79 | Frank Furness | Charles Shaw | Very similar to Furness's William Rhawn House in Philadelphia. | ||||
Potts Cottage | 1881 | Unknown | Unknown | Tiny cottage with an elaborately infilled gable. | 32 | |||
| 1914-15 | Unknown | Russell Robinson | One of 6 adjoining houses, all built on speculation. | 64 | |||
1895-96 | Unknown | Walter Peterman | Similar in construction to Parker Cottage. | 50 | ||||
St. John's Episcopal Church | Washington and Franklin St. | 1867-68 | Henry Sims | Richard Souder | Original stained glass windows by I.C. Spence of Montreal. | |||
St. Mary's Catholic Church | Washington and Ocean Streets | 1911 | George Lovett | William McShane | Norman revival. Ceiling decorated with stars. | |||
| 1860 | Unknown | Unknown | 2 story octagon house with Italianate details. | 20 | |||
1870 | Unknown | R.J. Dobbins | Built or sponsored by the West Jersey Railroad. | 11 | ||||
1912 | Zantzinger, Borie & Medary | William Cummings | ||||||
1906-07 | Lloyd Titus | William Cummings | First owner also was president of Cape May Real Estate Company. | |||||
1870 | Unknown | Unknown | ||||||
1877 | Unknown | Unknown | Also known as Dolores Cottage. | 24 | ||||
1885 or earlier | Unknown | Unknown | In the Mt. Vernon tract. Developed by Mark Devine. Porch added later. | 42 | ||||
Star Villa | 1884-85 and later additions | Collins and Autenreich | Ware and Eldridge | Fourth floor built 1893 above the mansard roof. | ||||
1906 | R.E. White | Metzgers and White | 55 | |||||
1851 | Unknown | Unknown | ||||||
1869-70 | Unknown | Hoffman and Williams | ||||||
Stockton Cottages | | 1872 | Stephen Decatur Button | Harden and Bro. | Lavish exteriors, simple interiors. All very similar except for larger porches on 26-30. | |||
1872-73 | Stephen Decatur Button | Joseph Q. Williams | 16 | |||||
1872-73 | Stephen Decatur Button | Hand and Ware | Also known as Stockton Manor | 17 | ||||
| 1915 | Unknown | Unknown | On long narrow lot. Built by carpenter-developer Townsend. | 65 | |||
1913-14 | Duhring, Okie, and Ziegler | Thompson, Dickson, & Co. | Colonial Revival | 61 | ||||
1870 | Unknown | Unknown | Modernized in 1898 by McCollin and Fast. | 12 | ||||
| 1876 | Unknown | Unknown | 22 | ||||
1868 or later | Unknown | Probably J. S. Ware | ||||||
1876 | Enos Williams | Enos Williams | 21 | |||||
Trenton Avenue near Beach | 1881-82 | Unknown | Ware and Eldredge | Moved from Washington and Franklin to Ocean and Beach avenues, then to Reading Avenue. | 34 | |||
1885 | Unknown | Unknown | 41 | |||||
1901 | Unknown | William L. Cummings | 54 | |||||
Windsor Hotel | Beach Drive between Congress and Windsor | 1879 | Stephen Decatur Button | Hoover and Hughes | Built immediately after 1878 fire. The fourth floor and elevator were added in 1899. |