Croft was a founding member of the Boomalli Aboriginal Artists Cooperative in 1987. Croft has worked as an arts administrator and curator at local, regional, state, federal and international levels since 1990. From 1999 to 2001 she was curator of Indigenous art at the Art Gallery of Western Australia; from 2002 to 2009 she was senior curator of Aboriginal and Torres Strait Islander art at the National Gallery of Australia. Curatorial projects include Beyond the pale: contemporary Indigenous art, Adelaide Biennial of Australian Art for the 2000 Adelaide Festival of Arts; Culture Warriors, National Gallery of Australia; Stopgap: international Indigenous art in motion for the 2011 Adelaide International Film Festival; A Change is Gonna Come: 50th anniversary of the 1967 Referendum and 25th anniversary of the Mabo Decision, National Museum of Australia, 2017. Her practice-led doctoral research project included the collaborative exhibition, Still in my mind: Gurindji location, experience and visuality, UNSW Galleries, UQ Art Museum, 2017, touring nationally until late 2021. Solo exhibitions include heart-in-hand, Canberra Contemporary Art Space, 2018; subalter/N/ative dreams, Stills Gallery, Sydney; Peripheral vision, Artplace, Perth, Niagara Galleries, Melbourne ; Man about town, Stills Gallery, Sydney,, Niagara Galleries, Melbourne ; fever , Stills Gallery, Sydney ; In my mother's garden, Gallery Gabrielle Pizzi, Melbourne ; In My Father's House, Australian Centre for Photography, Paddington,. Croft has also worked with Eastern Arrernte/Kalkadoon independent curator, arts administrator and writer, Hetti Perkins, on curatorial projects, including the Australian Indigenous Art Commission for the Musée du quai Branly, Paris, France, ; and the Australian exhibition at the 47th Venice Biennale in 1997, fluent: Emily Kame Kngwarreye, Yvonne Koolmatrie & Judy Watson, and was co-curated by Hetti Perkins, Croft and Victoria Lynn. It was commissioned by Michael Lynch.
Awards
In 1996 Croft was the first Australian to receive the Chicago Artists International Program grant. She also was awarded the 1997 Australia Council for the Arts Greene Street Studio in New York; the 1998 Indigenous Arts Fellowship from the NSW Ministry for the Arts; an Alumni Award from UNSW in 2001; a 2015 Australia Council for the Arts National Indigenous Arts Award Fellowship; a Canberra Critics Circle Visual Arts Award for heart-in-hand in 2018; and the AAANZ Best Indigenous Writing award for her practice-led doctoral research essay Still in my mind: Gurindji location, experience and visuality in 2018. Croft was awarded an Honorary Doctorate from the University of Sydney in 2009. Croft was named Visual Artist of Year in the Deadly Awards 2013, which were the annual awards recognising Australian Aboriginal and Torres Strait Islander achievement.