Boyz-n-the-Hood


"Boyz-n-the-Hood" is the debut single by Eazy-E, then leader of a new rap group, N.W.A. Released in March 1987, the single was a local hit, reissued, by year's end, on N.W.A's EP titled N.W.A. and on the unauthorized compilation album N.W.A. and the Posse.

Background

Eric Wright, 1986 founder of Ruthless Records, had tasked the Ruthless songcrafting team—record producer Dr. Dre, aided by DJ Yella and Arabian Prince, and ghostwriter Ice Cube—to draft the song in line with Wright's vision. But once a rap group signed from New York City rejected it, Wright rapped it himself, dubbed Eazy-E. In 1988, having gained rapper MC Ren, N.W.A released its official debut album, Straight Outta Compton.
While N.W.A's Straight album spurred the Los Angeles area's hip hop to drop electro and rapidly go hardcore, the rappers still called it "reality rap," whereas news media would soon call it "gangsta rap". Meanwhile, also in 1988, a "Boyz-n-the-Hood" remix arrived on an N.W.A companion album cheekier, Eazy's debut album Eazy-Duz-It. After N.W.A's disbanding in 1991, Eazy's EP titled It's On 187um Killa, released in 1993, brings another remix, "Boyz N tha Hood ".
Yet in 1991, the title became iconic instead through director John Singleton, who borrowed this song's title for his film Boyz n the Hood. The song, rather, took altogether nearly 30 years to hit the pop chart. Released in August 2015, the film Straight Outta Compton had renewed interest in N.W.A when, on September 5, "Boyz-n-the-Hood" debuted on the Billboard Hot 100. That week, at #50, it was the chart's third-highest debut, behind the 1988 title track "Straight Outta Compton," originally too incendiary for wide radio play.

Production

In 1986, in Compton, a city in Los Angeles county, Eric Wright, a Kelly Park Compton Crip and local drug dealer, founded Ruthless Records via industry knowledge and connections of music manager Jerry Heller and via musical talent and recording facilities brought by Dr. Dre and Arabian Prince, two DJs, record producers, and recording artists successful locally. The team drew Ice Cube, member of the local rap trio C.I.A., to ghostwrite lyrics. In early 1987, Wright invited to the Audio Achievements recording studio, in nearby city Torrance, the rap group H.B.O., or Home Boys Only, signed from New York City, to record the Ruthless songcrafting team's song "Boyz-n-the-Hood."
With a rough instrumental draft already recorded by Dr. Dre, assisted by DJ Yella and Arabian Prince, H.B.O., appraising the lyrics still on paper, rejected the song and walked out. Left sitting in the studio without Ice Cube present to start with, Dre and Yella encouraged Wright to rap the song himself. To get each line rapped in timing with its bar, they recorded line by line across two days, recalls DJ Yella. Still, the first-time rapper, dubbed Eazy-E, brought a distinctive voice and persona. As released, the single musically samples rap group Whodini's song "I'm a Ho." And it vocally samples rap group the Beastie Boys' song "Hold It, Now Hit It" as well as two soul classics, Jean Knight's song "Mr. Big Stuff" and, in closing, The Staple Singers' song "I'll Take You There."

Content

In the "Boyz-n-the-Hood" lyrics, Eazy-E is protagonist, his friend Kilo G is a car thief, and JD is a neigborhood crack addict. Eazy, "bored as hell," searches town seeking "to get ill." Eazy-E spots Kilo G, as usual, out for cars to steal, but discovers JD, rather, trying to steal his car stereo. Eazy and JD exchange words, cut short once JD walks off. Eazy follows, but JD pulls a pistol, whereupon Eazy shoots him, cutting short both JD's life and Eazy's mere attempt to reconcile. Soon, Eazy has with a woman a sexual encounter, which sets Eazy to afterward "reach back like a pimp and slap the ho," and thereupon do likewise to her angry father.
Later, Eazy witness the arrest of Kilo G, who, denied bond, will incite a riot in jail. At his trial, Kilo G's girlfriend Suzy shoots it out with the deputies, but somehow leaves the courtroom still standing, starting her own incarceration. In 2005, music journalist Jeff Chang finds this plot twist, written by O'Shea "Ice Cube" Jackson, then age 17, "a sly interpolation of Jonathan Jackson's real-life drama." In 1970, when himself 17, Jonathan, younger brother of George Jackson, an imprisoned Black Panther, stormed in California's Bay area a courtroom to claim judicial hostages and barter his elder brother's release, culminating in his own death in the 1970 Marin County courthouse shootout." Upon this plot twist, Chang says, the Eazy single "rose to the level of generational myth."

Versions

The original version of the song, which was released on 1987's N.W.A. and the Posse contained only the five verses, starting with the line 'Cruisin down the street in my six-fo'. Slight lyric changes are also present in the album version.
The remix version contains a prologue that has Eazy-E describing playing the track "Gangsta Gangsta" from his group's N.W.A. 1988 album, then announcing he will be playing his own song, which is in fact the rest of the song "Boyz-n-the-Hood", and the song continues.
Both the original version and the remix versions of "Boyz-n-the-Hood" appear on the 1989 12" maxi-single. They are featured on side A, while the original and remixed versions of "Dopeman" appear on side B.
The song was played on the Up In Smoke Tour. Dr. Dre played this song as a tribute to Eazy-E, with the crowd singing the chorus.

Critical reception and legacy

Jeff Chang describes "Boyz-n-the-Hood" as "an anthem for the fatherless, brotherless, state-assaulted, heavily armed West Coast urban youth" and Eazy-E's rap style as "a deadpan singsong...perhaps as much a result of self-conscious nervousness as hardcore fronting."
Rolling Stone ranks the song as among the 20 greatest West Coast rap songs that preceded N.W.A's Straight Outta Compton. Critic David Drake commented: "It was a day-in-the-life record that was less concerned with commentary or critique than simply conveying a lifestyle." Also writing for Rolling Stone, Brian Hiatt compares the subject matter in "Boyz-n-the-Hood" to "6 in the Mornin'" by Ice-T and "P.S.K. What Does It Mean?" by Schoolly D.

Cover versions

often covered the song live as an intro jam to their own song, "Special Secret Song Inside" on their 1989-90 Mother's Milk tour.
In 2004, the song was re-imagined and sampled by rapper Jim Jones on his debut album On My Way to Church. His version was called "Certified Gangstas", and featured Bezel and Cam'ron.
Besides Jim Jones' song there have been many remakes, most notably a cover by alternative rock band Dynamite Hack, which hit #12 on the Billboard Modern Rock Tracks in 2000. The last line of this version, "Punk ass trippin in the dead of night", is sung to the tune of The Beatles' "Blackbird": "Blackbird singing in the dead of night." However, some of the words, as well as the "Blackbird" melody, were altered for the music video version of the song.
Hispanic rap group Brownside did a remake to the song called "Vatos in the Barrio". The instrumental of the original is remade, and the lyrics are slightly different but keep the main structure of the Eazy-E version.
Underground Memphis rapper Koopsta Knicca of Three 6 Mafia made his own version called "Back in da Hood".
Shwayze uses one of the lines from "Boyz-n-the-Hood" in his song "Lost My Mind" on his album Shwayze; the line he uses is "Woke up at about noon just thought that I had to be in Compton Soon."
It is sampled in "Front Back" by UGK, "My 64" by Mike Jones, "Pojat On Huudeilla" by Eurocrack, "Them Boys Down South" by Big Chance.
Track 8 on DJ Screw's album "The Legend" has the same song style as Boyz-n-the-Hood.
Yelawolf made a song called "Boyz-n-the-Woodz" for his 2008 mixtape, Ball of Flames: the Ballad of Slick Rick E. Bobby. The song interpolates the original chorus but is made to have a "white trash" feel.
American rapper Megan Thee Stallion sampled the song in her 2020 single "Girls in the Hood".

Charts