Bob Drake was born in Cleveland, Ohio on December 6, 1957, and spent his youth in Watseka, Illinois. There he taught himself how to play guitar and drums, but after hearing Yes's Fragile in 1972, Drake decided he wanted to be a bassist and bought himself a Rickenbacker 4001bass guitar, which he still uses today. Henry Cow also had a big influence on him: "hey were doing something I felt was a lot closer to what I was imagining I'd like to do – 'complex' intricate songs and arrangements, noisy things going on which fit organically in the music, and less emphasis on 'perfect' studio overcooked impersonal perfection." Drake experimented with recording techniques and "warped rock", but soon found that no one was interested in "new and strange music" in his rural Midwesternhome town. He moved to Denver, Colorado in 1978 where he worked for a while as a sound engineer on B horror movie sets. He also spent time recording local underground bands and playing bass guitar and drums with some of them. Drake put an advertisement at a local music store requesting a guitar player "into Henry Cow, Yes …", and met up with experimental rock guitarist and composer Mike Johnson. Drake and Johnson played in a few cover bands before forming Thinking Plague in 1982. By 1990 Thinking Plague had recorded three albums and established a name for themselves in progressive circles. In the late 1980s the Denvermusic scene "just evaporated" as musicians seeking "greener pastures" moved elsewhere. Drake, "flat broke" at the time, moved to Los Angeles where he found a job as a recording engineer. There he established a name for himself working with several mainstream artists like Ice Cube, Tina Turner and Engelbert Humperdinck. During this time he also formed an alternative rock group, Hail with ex-Thinking Plague's singer Susanne Lewis, and joined Dave Kerman's avant rock group, the 5uu's. Hunger's Teeth, the 5uu's' third album was praised for its "challenging music" and "production values", and made Drake a "sought-after engineer and collaborator". Drake released his first solo album, What Day is It? in 1994. It was a limited editionself released record that Drake pressed himself. He later made five more solo albums, which were all released on ex-Henry Cow drummer Chris Cutler's UK independent record label, Recommended Records. In 1994 Drake and Kerman moved to an old farm house owned by Cutler and Henry Cow's sound engineer EM Thomas in Caudeval, southern France. They converted it into a studio which they called Studio Midi-Pyrenees. Later Drake worked closely with Cutler on a number of projects for Recommended Records, including the remastering of several albums and box sets, for example The Art Box and The 40th Anniversary Henry Cow Box Set. He also joined Cutler's avant-rock band The Science Group in 1997, in which he played and engineered/produced the group's two albums. Drake continued to work on and off in the 2000s with Thinking Plague and the 5uu's. In 2007 he formed his own group, Bob Drake's Cabinet of Curiosities to perform material from his solo albums live on stage. The group comprised Drake, Kerman, David Campbell and Jason DuMars. They played at NEARfest in Pennsylvania in June 2007 with guests Olivier Tejedor and Lynnette Shelley.
Solo albums
Drake recorded six solo albums between 1994 and 2005. Musician and writer Dominique Leone at Pitchfork Media described them as "idiosyncratic to a fault", with songs unlike anything else he has heard. Drake plays almost all the instruments himself, and the music has elements of progressive rock, country/blues and "bizarro pop". Drake said that his first album, What Day is It? was influenced by "the climate, the deserts, the dusty hills around L.A.", and that his next one, Little Black Train, largely an instrumental album, was "dirtier and messier" than the first. Medallion Animal Carpet consisted of different musical ideas strung together around a "medley of noisy country-ish songs", and The Skull Mailbox and Other Horrors, recorded in a barn, was a collection of little "horror songs" played on a nylon stringed classical guitar and a "cheap little organ". Leone described Skull Mailbox as a "folk-horror-avant-semi-classical hybrid", and a "mix of psychological stress, garage-symphony grandeur and folk-ish retelling of very familiar horror stories". He also described The Shunned Country as a "rural horror story", saying that the 40-minute album contains 52 brief tracks that "employ as tight a form into the most compact space as possible". Banjos feature prominently that sound like "macabre-sentimental fanfares, Deliverance in the hands of Hitchcock".
