Bienvenido Santos


Bienvenido N. Santos was a Filipino-American fiction, poetry and nonfiction writer. He was born and raised in Tondo, Manila. His family roots are originally from Lubao, Pampanga, Philippines. He lived in the United States for many years where he is widely credited as a pioneering Asian-American writer.

Biography

Santos received his bachelor of arts degree from the University of the Philippines where he first studied creative writing under Paz Marquez Benitez. In 1941, Santos was a government pensionado to the United States at the University of Illinois, Columbia University, and Harvard University. He had arrived in San Francisco on October 12, 1941 aboard the leaving his wife and three daughters in the Philippines. When war in the Pacific came to the Philippines on December 8 he feared he would never see his family again—a reality that "not only interrupted his study of realism; it was overwhelming it" leading to a transformation in his sense of national consciousness and identity. That crisis changed the nature of his writing into a less carefree style to one mixing laughter and pain; described by Florentino Valeros as "a man hiding tears in his laughter."
During World War II, he served with the Philippine government in exile under President Manuel L. Quezon in Washington, D.C., together with the playwright Severino Montano and Philippine National Artist Jose Garcia Villa. Santos left for home on January 17, 1946 aboard the arriving in early February.
In 1967, he returned to the United States to become a teacher and university administrator. He received a Rockefeller fellowship at the Writers Workshop of the University of Iowa where he later taught as a Fulbright exchange professor. Santos has also received a Guggenheim Foundation fellowship, a Republic Cultural Heritage Award in Literature as well as several Palanca Awards for his short stories. Scent of Apples won a 1980 American Book Award from the Before Columbus Foundation.
Santos received an honorary doctorate degrees in humanities and letters from the University of the Philippines, and Bicol University in 1981. He was also a Professor of Creative Writing and Distinguished Writer in Residence at the Wichita State University from 1973 to 1982, at which time the university awarded him an honorary doctorate degree in humane letters. After his retirement, Santos became Visiting Writer and Artist at De La Salle University in Manila; the university honored Santos by renaming its creative writing center after him.

Works

Novels

As of March 2001:
  1. On Loss: Anticipating a Future for Asian American Studies By: Shiu, Anthony Sze-Fai; MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States, 2006 Spring; 31 : 3-33.
  2. Bienvenido N. Santos By: Tensuan, Theresa M.. IN: Madsen, Asian American Writers. Detroit, MI: Gale; 2005. pp. 273–78
  3. Up from Benevolent Assimilation: At Home with the Manongs of Bienvenido Santos By: Bascara, Victor; MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States, 2004 Spring; 29 : 61-78.
  4. A Filipino Prufrock in an Alien Land: Bienvenido Santos's The Man Who Looked Like Robert Taylor By: Ty, Eleanor; Lit: Literature Interpretation Theory, 2001 Sept; 12 : 267-83.
  5. Bienvenido N. Santos By: Mannur, Anita. IN: Nelson, Asian American Novelists: A Bio-Bibliographical Critical Sourcebook. Westport, CT: Greenwood; 2000. pp. 317–22
  6. Themes in the Poetry of Bienvenido Santos By: Rico, Victoria. IN: Garcia, The Likhaan Book of Philippine Criticism. Quezon City, Philippines: U of the Philippines P; 2000. pp. 174–96
  7. Filipino Writing in the United States: Reclaiming Whose America? By: San Juan, E., Jr.. IN: Garcia, J. Neil C.; The Likhaan Book of Philippine Criticism. Quezon City, Philippines: U of the Philippines P; 2000. pp. 441–64
  8. The Novels of Bienvenido N. Santos By: Grow, L. M.. Quezon City, Philippines: Giraffe; 1999.
  9. Filipino American Literature By: Gonzalez, N. V. M.. IN: Cheung, An Interethnic Companion to Asian American Literature. Cambridge: Cambridge UP; 1996. pp. 62–124
  10. You Lovely People: The Texture of Alienation By: Rico, Victoria S.; Philippine Studies, 1994; 42 : 91-104.
  11. Marriage in Philippine-American Fiction By: Manuel, Dolores de; Philippine Studies, 1994; 42 : 210-16.
  12. Themes in the Poetry of Bienvenido Santos By: Rico, Victoria; Philippine Studies, 1994; 42 : 452-74.
  13. Split-Level Christianity in The Praying Man By: Puente, Lorenzo; Philippine Studies, 1992; 40 : 111-20.
  14. The Myth and the Matrix in Bienvenido N. Santos' Scent of Apples: Searching for Harmony among Incongruities By: Valdez, Maria Stella; DLSU Dialogue, 1991; 25 : 73-86.
  15. The Poet and the Garden: The Green World of Bienvenido N. Santos By: Grow, L. M.; World Literature Written in English, 1989 Spring; 29 : 136-145.
  16. Echoes and Reflections in Villa Magdalena By: Vidal, Lourdes H.; Philippine Studies, 1987; 35 : 377-382.
  17. Can These, Too, Be Midwestern? Studies of Two Filipino Writers By: Bresnahan, Roger J.; Midamerica: The Yearbook of the Society for the Study of Midwestern Literature, 1986; 8: 134-147.
  18. Modern Philippine Poetry in the Formative Years: 1920-1950 By: Grow, L. M.; ARIEL: A Review of International English Literature, 1984 July; 15 : 81-98.
  19. The Christian World-View of Bienvenido N. Santos By: Grow, L. M.; AUMLA: Journal of the Australasian Universities Language and Literature Association, 1983 Nov.; 60: 234-251.
  20. The Midwestern Fiction of Bienvenido N. Santos By: Bresnahan, Roger J.; Society for the Study of Midwestern Literature Newsletter, 1983 Summer; 13 : 28-37.
  21. Augusto F. Espiritu, "Fidelity and Shame: Bienvenido Santos," in Five Faces of Exile: The Nation and Filipino American Intellectuals. Stanford: Stanford University Press, 2005. pp. 139–178.

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