He was born in 1908 in Duisburg, and raised in an orphanage in the Rhineland. Despite his humble beginnings, he managed to secure an engagement in the Cologne Opera chorus. While in Cologne he continued his vocal studies with a Professor Lenz, and was eventually promoted to soloist in the Cologne theater. After engagements in Darmstadt and Erfurt, he first came to national prominence at the Deutsche Oper am Rhein, Düsseldorf, where he sang from 1938 to 1944. During this period he made several guest appearances at the Oper Frankfurt, where he made a strong impression in the Verdi spinto roles of Manrico and Riccardo. During the war he sang in a number of German provincial houses, and from 1944 to 1952 he was a member of the DresdenSemperoper, where he developed into a Heldentenor. He first appeared at the Bayreuth Festspielhaus in 1951 as Siegfried in "Der Ring des Nibelungen" under both Knappertsbusch and Karajan, and returned there to repeat the role several times until 1957. He appeared in Bavarian State OperaMunich between 1950 and 1958 in operas by Weber and Verdi, and in Richard Strauss's Die ägyptische Helena, and sang Siegfried in Götterdämmerung at Covent Garden in 1957. He made his Met debut as Tannhäuser, and also appeared at La Scala, the Paris Opéra and the Opernhaus Zürich. Aldenhoff was not only one of the last Heldentenors of the period, but also one of the most interesting. Knappertsbusch called him the most "human Heldentenor" of his time. As an interpreter, he has been called the most precise and sensitive Wagner tenor of his generation although some have found his singing on complete recordings of Weber and Wagner operas in the early 1950s rough and harsh. He died in Munich on 8 October 1959 at the peak of his career from food poisoning.
Roles
d’Albert: "Tiefland", Pedro
Beethoven: "Fidelio", Florestan
Flotow: "Martha", Lyonel
Kienzl: "Der Evangelimann", Matthias
Offenbach: "Hoffmanns Erzählungen", Hoffmann
Pfitzner: "Der arme Heinrich", Heinrich
Puccini: "La Bohème", Rudolfo
Puccini "Madame Butterfly", Pinkerton
Strauss: "Salome", Herodes
Strauss: "Elektra", Ägisth
Strauss: "Ariadne auf Naxos", Bacchus
Strauss: "Arabella", Matteo
Strauss: "Die ägyptische Helena", Menelaos
Verdi: "Il Trovatore", Manrico
Verdi: "Un ballo in maschera", Riccardo
Verdi: "Otello", Otello
Wagner: "Der fliegende Holländer", Erik
Wagner: "Tannhäuser", Tannhäuser
Wagner: "Lohengrin", Lohengrin
Wagner: "Meistersinger von Nürnberg", Walther von Stolzing
Brünnhilde: Astrid Varnay; Siegfried: Bernd Aldenhoff; Hagen: Ludwig Weber; Alberich: Heinrich Pflanzl; Gunther: Hermann Uhde; Gutrune: Martha Mödl; Dirigent: Hans Knappertsbusch Festspielhaus; Bayreuth, 04. August 1951
Richard Wagner: Schmiedelied aus 1. Act Siegfried
Siegfried: Bernd Aldenhoff; Mime: Paul Kuën; Dirigent: Joseph Keilberth; Festspielhaus Bayreuth, 14. August 1952
Richard Wagner, Siegfried 1. Act: „He, Mime! Geschwind! Wie heißt das Schwert?“
Siegfried: Bernd Aldenhoff; Mime: Paul Kuën; Dirigent: Joseph Keilberth; Festspielhaus Bayreuth, 14. August 1952
Richard Wagner, Siegfried 1. Act: „Hoho! Hoho! Hohei!“
Siegfried: Bernd Aldenhoff; Mime: Paul Kuën; Dirigent: Joseph Keilberth; Festspielhaus Bayreuth, 14. August 1952