Schott worked as a photographer from 1996 to 2003, specialising in portraits of politicians and celebrities. He was commissioned by a range of editorial and commercial clients, including The Independent, The Sunday Times, Sunday Business, Reader's Digest, and the Institute of Directors. A profile in The Times said "his subjects included John Prescott, who was rude, and Sir Roy Strong, who had "the most wonderful, doleful eyes" and told him: “You must realise I’m awfully photogenic.” Tony Blair asked Schott if he'd like to see then-baby Leo; Cherie barked at him not to take too long as they were about to have lunch." His photographic portfolio is online.
Schott's Miscellanies
The idea for the first book originated in some cards that Schott made to send to friends, which contained booklets of what he considered vital but hard to find information. Schott typeset the book himself and had 50 copies privately printed by the Pear Tree Press in Stevenage. After sending copies out to his friends, he sent one to the CEO of Bloomsbury, Nigel Newton. Newton told the Boston Globe, "I was completely bowled over when it arrived on my desk. It was a work of striking originality, and it was remarkable to receive an unsolicited submission like this in the mail. I immediately passed it to one of our editors, who signed it up." Schott's Original Miscellany was published with little fanfare, but after an article in the Guardian, in which the book was described as the book as the "publishing sensation of the year", sales increased, and within weeks Schott's Original Miscellany was at No. 1. Robert McCrum said of the book in The Observer: "Originality is like charisma. It's hard to define, but we know it when we find it... Schott's Original Miscellany is without doubt the oddest, and possibly merriest, title you will come across in a long day's march through the shimmering desert of contemporary publishing". Schott followed the Original Miscellany with three sequels: Schott's Food & Drink Miscellany, Schott's Sporting, Gaming, & Idling Miscellany and Schott's Quintessential Miscellany. While the first two were best-sellers, sales did not match the success of the first book.
Schott's Almanacs
The first edition of Schott's Almanac was published in Britain in 2005, followed by yearly editions published in Britain, America, and Germany until 2010. The Almanacs shared the same look and feel as the Miscellanies – but were substantially longer and larger. Each edition was different, although some content was shared or adapted. The British edition had sections on The World; Society; Media & Celebrity; Music & Movies; Books & Arts; Science & Technology; Parliament & Politics; Form & Faith; The Establishment; Sport; and an Ephemerides section that contains traditional almanac information on dates, moon phases, and the season. The Sunday Times called Schott's Almanac "a social barometer of genuine historical value"; The Boston Globe called it "One of the oddest and most addictively readable reference books in print". Schott introduced the 2006 Almanac with a quote from Ben Hecht: "Trying to determine what is going on in the world by reading newspapers is like trying to tell the time by watching the second hand of a clock".
For two years after the publication of the first Miscellany, Schott wrote a weekly miscellany column for The Daily Telegraph, and also produced special miscellany features on Christmas and the Olympics. For over a year he wrote a regular travel miscellany column for the UK edition of Condé Nast Traveler magazine. In 2005 and 2006 the Guardian featured special editions of G2 featuring extracts from Schott's Almanac. In 2008 Schott was appointed as a Contributing Columnist for The New York Times OpEd page. He also writes regular features for The Times. Schott publishes a bespoke Miscellany Diary with the society printers Smythson of Bond Street, and a desk-pad diary with Workman.
Design
His books are noted for specifying the precise design tools that he employs. He has regularly acknowledged the influence of the work of Edward Tufte in influencing the look and feel of his books. In 2004, he won a D&AD award for the design of Schott's Food & Drink Miscellany.
