Battleship (film)
Battleship is a 2012 American military science fiction action film that is loosely based on the board game of the same name. The film was directed by Peter Berg and stars Alexander Skarsgård, Taylor Kitsch, Brooklyn Decker, Rihanna, Tadanobu Asano, and Liam Neeson. Filming took place in Hawaii and on. In the film, the crews of a small group of warships are forced to battle against a naval fleet of extraterrestrial origin in order to thwart their destructive goals.
Battleship premiered in Tokyo on April 3, 2012, and received a wide release by Universal Pictures on May 18, 2012. It received mixed to negative reviews and was a financial disappointment, making only $65 million in North America against its gross of $303 million worldwide.
Plot
In 2005, a planet designated "Planet G" is discovered to have a potentially habitable planet with conditions similar to Earth and a communications array is built by NASA in Hawaii a year later designed to send transmissions to the planet to establish contact with any intelligent life. Meanwhile, Alex Hopper is arrested while attempting to impress Sam Shane, the daughter of Admiral Terrance Shane. His brother, Commander Stone Hopper, forces Alex to join the U.S. Navy in order to improve his life.In 2012, Alex and Sam are in a relationship; Alex serves as a Tactical Actions Officer as a lieutenant aboard while Stone is the commanding officer of, but Alex is in danger of receiving a disciplinary discharge. During the 2012 RIMPAC exercise, five alien spacecraft arrive. Their communications ship is damaged upon colliding with a satellite and crashes in Hong Kong causing many deaths while the other four plunge into the waters off Hawaii. Sampson, John Paul Jones, and Japanese destroyer JDS are ordered by Admiral Shane to investigate, and they discover a floating structure. When Alex touches it, it generates a force field that encloses the Hawaiian Islands, isolating them and the destroyers from the rest of the world, while jamming all radar and communications. Three alien warships surface and in the ensuing engagement the Sampson and Myōkō are destroyed, resulting in Stone's death, and the command crew of John Paul Jones are killed, with Alex, now the senior officer, assuming command. The fight ends when John Paul Jones disengages to recover the survivors from Myōkō including its commanding officer, Captain Yugi Nagata, whom Alex has a rivalry with as he kicked Alex in the face during a soccer match earlier. The aliens launch drones to attack Hawaii which cause heavy damage.
On Oahu, Sam is accompanying retired U.S. Army lieutenant colonel and double amputee Mick Canales on a mountain hike. After becoming aware of the aliens' presence, they encounter scientist Cal Zapata who informs them the aliens have taken over the communications array, and Mick determines they are planning to use it to re-establish military communications with their home planet. Aboard John Paul Jones, naval personnel capture a semi-conscious alien, which forms a telepathic link with Alex, showing him their history of destroying worlds. Other aliens arrive and retrieve their comrade, but Alex leads a team to prevent one who stayed behind from sabotaging the ship. He lures the alien into the sights of the destroyer’s 5-inch gun, which obliterates the alien. Examination of the captured alien's helmet reveals the aliens are sensitive to sunlight. Ashore, Sam, Nick and Zapata recover his spectrum analyzer from the aliens and use it to radio John Paul Jones to inform them the aliens intend military telecommunication with their home planet in four hours.
As night falls Captain Nagata suggests a strategy of using the National Oceanic and Atmospheric Administration tsunami warning buoys around Hawaii to track the alien warships without radar. This allows John Paul Jones to destroy two of them. They lure the remaining warship eastwards at dawn, as Alex and Nagata shoot out its bridge windows, blinding its crew and allowing John Paul Jones to destroy it before the drones sink the American ship.
The survivors return to Pearl Harbor and commandeer the previously decommissioned World War II battleship with the aid of the retired veterans preserving her, restoring her to battle readiness. Going to the communications array, they are confronted by the floating structure, revealed to be a giant mothership. Missouri is able to severely damage the mothership and disable the force field, and Admiral Shane immediately summons fighter jets from aircraft carrier. Meanwhile, Sam, Mick and Cal attempt to stall the aliens at the communications array. Alex chooses to use the Missouri's last shell to destroy the communications array, rendering the Missouri defenseless from drones launched by the foundering mothership. Just before impact, the drones are destroyed by Australian Navy Boeing F/A-18 fighter jets which then finish off the mothership, saving Missouri and eliminating the alien threat.
A ceremony is held to honor the military personnel, where Alex is promoted to lieutenant commander and presented with a Silver Star and his brother's posthumous Navy Cross. Admiral Shane promises Alex will soon have a ship of his own while he is also offered a chance to become a Navy SEAL. After the ceremony, Alex asks Sam's father Admiral Shane for her hand in marriage. The admiral refuses, but shortly thereafter invites Alex to lunch to discuss the matter.
In a post-credits scene, three teenagers and a handyman in Scotland discover a crashed alien pod. When they open it, an alien hand reaches out, and they run off in terror.
Cast
- Taylor Kitsch as Lieutenant Commander Alex Hopper, Stone’s brother and an undisciplined U.S. Navy Weapons Officer assigned to.
- Alexander Skarsgård as Commander Stone Hopper, Alex's older brother, Commanding Officer of.
- Rihanna as Petty Officer Cora Raikes, crew mate and a weapons specialist on.
- Brooklyn Decker as Samantha Shane, a physical therapist, Terrance’s daughter and Alex Hopper's girlfriend.
- Tadanobu Asano as Captain Yugi Nagata, JMSDF, Commanding Officer of.
- Liam Neeson as Admiral Terrance Shane, Commander of the U.S. Pacific Fleet and father of Samantha Shane.
- Hamish Linklater as Cal Zapata, a scientist working on O'ahu
- Jesse Plemons as Boatswains mate Seaman Jimmy "Ordy" Ord, on
- John Tui as Chief Petty Officer Walter "Beast" Lynch, a crew mate of
- Gregory D. Gadson as Lieutenant Colonel Mick Canales, a U.S. Army combat veteran and double amputee.
- Adam Godley as Dr. Nogrady, the scientist leading the Beacon program.
- Peter MacNicol as the U.S. Secretary of Defense.
- Jerry Ferrara as Sampson JOOD Strodell
- Stephen Bishop as JPJ OOD
- Josh Pence as Chief Moore
- Rami Malek as Lt. Hill
- Louis Lombardi as Bartender
- Gary Grubbs as USAF Chief of Staff
Production
Filming took place in the United States on the Hawaiian islands of Maui and Oahu, as well as on the mainland where they had to film a few apartment scenes in Sherman Oaks, California, and they had also filmed a driving scene along with a shootout in Playa del Rey, California.
Further filming was done on.
Some scenes were also filmed in Baton Rouge, Louisiana.
The Science & Entertainment Exchange provided science consultation for the film.
A of the Japan Maritime Self-Defense Force also appeared in the film.
Casting
was originally considered for the role of Hopper. In April 2010, it was reported that Taylor Kitsch had been cast as Alex Hopper, Alexander Skarsgård played his brother Stone Hopper, Brooklyn Decker stars as Sam, Hopper's fiancee and Liam Neeson as Admiral Shane, Sam's father and Hopper's superior officer. Barbadian R&B singer Rihanna makes her acting debut in the film, as a sailor. In an interview with GQ, Berg explained how he came up with the idea to cast her. He realized she could act after her appearance on Saturday Night Live. She accepted the role because she wanted "to do something badass" and also because it wasn't a role too big for her to play.Tadanobu Asano also has a role in the film as the commander of a Japanese Kongō-class destroyer. Double amputee U.S. Army Colonel Gregory Gadson, who had never acted before, plays LTC Mick Canales. He was cast after Berg saw a picture of him in the National Geographic Magazine.
The film marks the reunion between former co-stars Kitsch and Jesse Plemons, who previously worked together on Berg's television series Friday Night Lights. Berg said he loves working with friends and explained he knew how comfortable Kitsch was with Plemons, "I know that he’s really good for Taylor and he makes Taylor better. So, I wrote that whole part for Jesse." He added, "I never thought of it as a Friday Night Lights reunion. I thought of it as protection, bringing a trusted family member in."
U.S. Navy sailors were used as extras in various parts of this film. Sailors from assorted commands in Navy Region Hawaii assisted with line handling to take in and out of port for a day of shooting in mid 2010. A few months later, the production team put out a casting call for sailors stationed at various sea commands at Naval Station Mayport, Florida to serve as extras. Sailors were also taken from various ships stationed at Naval Station Mayport, Jacksonville, Florida:, and USS were some of the ships that provided sailors.
Music
Due to his success with the Transformers franchise, composer Steve Jablonsky was chosen to score the official soundtrack. The soundtrack features original compositions from Jablonsky and features rock guitarist Tom Morello from Rage Against the Machine. Director Peter Berg stated:Track listing
All songs written and composed by Steve Jablonsky except where noted.;Additional music credits
- Stone Temple Pilots – "Interstate Love Song"
- Billy Squier – "Everybody Wants You"
- Lucky Clark – "My Lai"
- The Black Keys – "Gold on the Ceiling"
- Citizen Cope – "One Lovely Day"
- Dropkick Murphys – "Hang 'Em High"
- Carl Perkins – "Blue Suede Shoes"
- AC/DC – "Hard as a Rock"
- ZZ Top – "I Gotsta Get Paid"
- Royal Philharmonic Orchestra – "Waltz: On the Beautiful Blue Danube"
- AC/DC – "Thunderstruck"
- Band of Horses – "The Funeral"
- Creedence Clearwater Revival – "Fortunate Son"
Release
Box office
The film earned $303,025,485, and only $65,422,625 in North America. With a budget of $220 million the film did not meet its expectations.The film opened outside North America on Wednesday, April 11, 2012, more than five weeks before its North America release, earning $7.4 million. Through Friday, April 13, the film had earned a 3-day total of $25 million. By the end of its opening weekend, it earned $55.2 million from 26 markets, ranking second behind the 3D re-release of Titanic.
However, on its second weekend, it topped the box office outside North America, with $60 million. In South Korea, it achieved the highest-grossing opening day for a non-sequel and the third-highest overall. In comparison to other Hasbro films, Battleship opening in the United Kingdom was behind the first Transformers, but did better than .
In North America, Battleship grossed $8.8 million on its opening day, with $420,000 originating from midnight showings, and finished the weekend with $25.5 million. It settled in second place for its opening day and opening weekend behind Marvel's The Avengers.
Critical reception
has given the film an average score of 41 out of 100 based on 39 reviews meaning "mixed or average reviews". Rotten Tomatoes gives the film a score of 34% based on reviews from 221 critics, with a rating average of 4.59/10. The site's consensus reads: "It may offer energetic escapism for less demanding filmgoers, but Battleship is too loud, poorly written, and formulaic to justify its expense -- and a lot less fun than its source material."Megan Lehmann of The Hollywood Reporter thought that the "impressive visual effects and director Peter Berg's epic set pieces fight against an armada of cinematic clichés and some truly awful dialogue." Empire magazine's Nick de Semlyen felt there was a lack of character development and memorable action shots, and sums up his review of the movie in one word: "Miss."
Many reviews criticised the "based on a board game" concept driving the film, although some, such as Jason Di Rosso from the Australian Broadcasting Corporation's Radio National, claimed the ridiculousness of the setup is "either sheer joy or pure hell – depending on how seriously you take it", while de Semlyen "had to admire jumping through hoops to engineer a sequence that replicates the board game." Several compared the film to Michael Bay's Transformers film series in terms of quality and cinematic style, with Giles Hardie of The Sydney Morning Herald claiming that the movie "finds the same balance between action-packed imagination and not taking the premise seriously that made Michael Bay's original Transformers such a joyride." Andrew Harrison of Q magazine called the film "crushingly stupid". Film critic Kenneth Turan, in a review written for the Los Angeles Times, also expressed disappointment, criticizing the film's "humanoid aliens", stating that they are "as ungainly as the movie itself, clunking around in awkward, protective suits." He called the content "all very earnest", but added "it's not a whole lot of fun". Peter Travers of Rolling Stone gave the film one out of four stars, and he comment "Battleship is all noise and crashing metal, sinking to the shallows of Michael Bay's Armageddon and then digging to the brain-extinction level of the Transformers trilogy."
Other critics were less harsh for Battleship: Writing for Time, Steven James Snyder was somewhat positive because he had low expectations of the film. He wrote, "The creative team behind this ocean-bound thriller decided to fill the narrative black hole with a few ingredients all but absent from today’s summer tent poles – namely mystery, nostalgia and a healthy dose of humility" and described it as "an unlikely mix of Independence Day, Pearl Harbor, Jurassic Park and The Hunt for Red October". Giving it a C+ grade, Lisa Schwarzbaum of Entertainment Weekly said, "For every line of howler dialogue that should have been sunk, there's a nice little scene in which humans have to make a difficult decision. For every stretch of generic sci-fi-via-CGI moviemaking, there's a welcome bit of wit." The Washington Post gave the film a three-star rating out of four commenting it is "an invigorating blast of cinematic adrenaline". Roger Ebert of the Chicago Sun-Times gave the film 2.5 stars out of 4, praising the climax as "an honest-to-God third act, instead of just settling for nonstop fireballs and explosions, as Bay likes to do. I don't want to spoil it for you. Let's say the Greatest Generation still has the right stuff and leave it at that."