Bahman Maghsoudlou
Bahman Maghsoudlou is a film scholar, critic, author and independent film producer/director. Maghsoudlou has, in the words of Cinema Without Borders editor-in-chief Bijan Tehrani, "dedicated his life recording valuable information about Iran’s contemporary art and culture."
Career
Bahman Maghsoudlou is the recipient of Iran's Forough Farrokhzad literary award for writing and editing a series of books about cinema and theater, including Iranian Cinema. He was presented this award at the fourth Forough Farrokhzad awards ceremony, held at the Central Palace for Young Adults in February 1975.Maghsoudlou wrote, directed and produced a short documentary on artist Ardeshir Mohasses called Ardeshir Mohasses & His Caricatures in 1972. This would turn out to be the first in a series of films on Iran's most important artistic figures, the Great Iranian Artists series, although the follow-ups would not be produced for many years afterwards. In 1998, he produced Ahmad Shamlou: Master Poet of Liberty which was subsequently followed by Ahmad Mahmoud: A Noble Novelist in 2004 and Iran Darroudi: The Painter of Ethereal Moments in 2009. Maghsoudlou served as director for the latter two of these films, as he has for all but one of the films in the series.
A 2013 addition to the series was an update to his earlier film on Mohasses, entitled Ardeshir Mohasses: The Rebellious Artist. Maghsoudlou had long wished to update his earlier film on his friend and the inspiration came after two occurrences in 2008: a long overdue retrospective of Mohasses's work at the Asia Society in New York City and the artist's untimely passing. The new film features interviews with prominent critics and friends from around the world and emphasizes the eternal truth in Mohasses's struggles with censorship. The film had its world premiere in April 2013 at the Palm Beach International Film Festival.
The next addition to the series was 2013's ', a look at the work of acclaimed Iranian filmmaker Abbas Kiarostami, examining the themes and techniques that have run through his body of work, with a particular focus on his debut feature, The Report. The film had its world premiere at the Montreal International Film Festival and was also featured at the 2016 in Pessac, France, in a special section dedicated to Kiarostami. This was Maghsoudlou's first feature-length documentary, and as well as being an entry in the Renowned Iranian Artists series, it is also the first installment in another series, Iranian Cinema, Searching for the Roots. This new series, as planned, will have ten parts.
Maghsoudlou's next feature documentary, released in 2016, was called '. This film, like the Kiarostami film, served as the next entry in both the Iranian Cinema series and the Renowned Iranian Artists series. Through copious interviews with the most prominent actresses of the pre-Revolutionary period and an abundance of rare clips from their films, the documentary examines the role of women in Iranian cinema from both cultural and artistic standpoints. In an article in Asharq Al-Awsat, journalist Amir Taheri wrote that the film "contains a number of exciting surprises," also noting that the interviews with the actresses " light on a chunk of Iran's contemporary history" and " us that it was always difficult to be a woman in Iran even under the Shah, and that being a film actress was even more of a gamble."
The next film, the third to represent both series, focuses on filmmaker, critic and playwright Bahram Beyzai, and is called Bahram Beyzaie: A Mosaic of Metaphors.
As a producer, Mr. Maghsoudlou's films have been to more than 100 film festivals worldwide. These films include:
The Suitors, selected for the Cannes in 1988; Manhattan by Numbers, selected for Venice and Toronto 1993; Seven Servants by Daryush Shokof, selected for Berlin, Toronto and Locarno 1996, and Silence of the Sea, selected for the Mannheim Film Festival 2003.
Along with Iranian Cinema: Searching for the Roots, Maghsoudlou is also working on another long-term documentary project, The Life and Legacy of Mohammad Mossadegh.
Having organized the first ever Iranian Film Festival in New York in 1980, he organized the International Short Film Festival: Independent Films on Iran, which was held in October 2007, in New York. In 2009, Maghsoudlou authored the book Grass: Untold Stories which detailed the background stories related to the making of the 1925 silent movie, Grass. A major part of the movie had been filmed in Maghsoudlou's native Iran.
A graduate in cinema studies from the College of Staten Island with a PhD from Columbia University, Maghsoudlou lives in New Jersey.
He became a member of the prestigious list of PEN American Center in 2011.
Maghsoudlou has served as a jury member for a number of prestigious international film festivals. He had the honor of being the lone non-Spanish member of the jury for the 3rd Edition of the Ibn Arabi International Film Festival , serving alongside a group of notables of the Spanish film scene, including Alberto Elena. And most recently he served as president of the jury for the Zeniths for the Best First Fiction Feature Films section of the 2014 Montreal World Film Festival.
Filmography
| Year | Film |
| 1972 | Ardeshir Mohasses & His Caricatures |
| 1988 | The Suitors |
| 1990 | Angels are Wired |
| 1993 | Manhattan by Numbers |
| 1996 | Seven Servants |
| 1999 | Zendegi dar meh |
| 1999 | ' |
| 2000 | Surviving Paradise |
| 2001 | ' |
| 2004 | Silence of the Sea |
| 2004 | ' |
| 2007 | Asudem |
| 2009 | ' |
| 2011 | Golchehreh |
| 2013 | ' |
| 2013 | ' |
| 2016 | ' |
| 2019 | ' |