Arcadio Arellano built the house for Dr. Ariston Bautista and his wife, Perona Nakpil, which survives on 432 Barbosa Street, Quiapo, two blocks away from the Enriquez house. Built in 1914, the house is typical of its period: in the lower storey, thin, narrow, brick walls pressed together by wooden studs; upstairs, rooms aired by large calados and shaded by sufficient media aguas.
Architecture
The lot measures 500 square meters and had 2 storeys, with wood and stone as primary construction materials. The ground floor consists of the '‘zaguan’’, ‘’cuarto’’, ‘’sala’’, patio, and the ‘’plateria’’. The upper floor contains the ‘’ante sala’’, ‘’sala’’, patio, ‘’comedor’’, ‘’azotea’’, ‘’cuarto’’, ‘’oficina’’, and ‘’cocina’’. The second floor was built with wood to resist earthquakes. The house is a Bahay na bato and had two entrances, a street door and a large iron gate, typical of many Manila houses of the period. The large iron gate leads to the estero behind. The lower story is in the wood-and-stone style post-1880. Rodrigo Perez III, architect and scholar, says that, in many Filipino houses whether in the Cordillera or in the lowland countryside, “space is surrounded by space.” In a lecture at Nakpil-Bautista house in 1999, he showed how Arellano’s creation manifests this idea. Going up the main stairway the visitor arrives at hall, the caida, with doors on all four sides leading to the surrounding rooms, the dining room, the living room, and two suites of bedrooms. Two sets of doors slide Japanese-style to open, vistas extending from street to estero. It does not have ornate decorative details. Its inspiration is the Vienna Secession, a style not well known in the Philippines during this time. Viennese artists of the 1890s reacted to the fashionable revival of historic styles by creating a style with a contemporary character. The Secession was thus the same as art nouveau. After Dr. Ariston Bautista and his wife, Petrona Nakpil the painter, received a gift of Secession furniture, they designed their entire house around the furniture motifs. Window grilles overlooking the estero have vertical floral stems with flowers sized to small squares, while grilles facing the street display abstract interpretation of lyres. The upper exterior wall is simply decorated with a band of square insets. On the tracery of the interior ransom walls are abstract interpretations of the kiyapo plant. The upper storey has a museum honouring both the Nakpils and two ancestors who played a role in the Katipunan, Julio Nakpil and his wife Gregoria de Jesus. After the house was finished, Dr. Bautista designed new furniture with the same motifs and had them executed by his Pampango carpenter in residence. The original furniture was divided among the heirs in the 1970s. Some of the present pieces were commissioned to suit the museum’s purposes.
