Ave Maria, WAB 6, is a sacred motet by Anton Bruckner, a setting of the Latin prayer Ave Maria. He composed it in Linz in 1861 and scored the short work inF major for seven unaccompanied voices. The piece, sometimes named an Offertorium, was published in Vienna in 1867. Before, Bruckner composed the same prayer in 1856 for soprano, alto, a four-part mixed choir, organ and cello, WAB 5. Later, he set the text in 1882 for a solo voice and keyboard, WAB 7.
History
Bruckner composed the motet, also known as Ave Maria II, in 1861. He did this after completing five years of studies with Simon Sechter. The motet was first performed on 12 May 1861 as Offertorium of a mass in the Linz Cathedral. Bruckner was their organist and was also from 1860 director of the Liedertafel "Frohsinn" who performed the motet to celebrate the anniversary of its founding. Bruckner wrote in a letter about the reception in a letter dated 3 October 1861: "I was, in the end, splendidly applauded by my choir—twice." The manuscript is lost, but copies are found in the archive of the Österreichische Nationalbibliothek and the Abbey of Sankt Florian. The piece, sometimes named an Offertorium, was published together with Tota pulchra es by Emil Wetzler in Vienna in 1867. It is put in Band XXI/20 of the Gesamtausgabe.
Music
Bruckner set the prayer in F major and scored it for seven unaccompanied voices SAATTBB. It takes about 4 minutes to perform. The first section of the 51-bar long Ave Maria is based on the Annunciation, the greeting of Gabriel the Archangel to Mary and on the Visitation, when Elisabethparaphrased the greeting. The upper voices begin, while the lower voices respond with "et benedictus...". All voices united proclaim the name "Jesus" three times in growing intensity. The second part is for all voices. It begins in canon on "Sancta Maria", and evolves diminuendo with a point d'orgue on bar 30, when Mary is asked to "pray for us sinners". Bruckner applies his understanding of older styles to express his personal faith with simplicity but "Romantic sensibility of expression". James Liu notes about Bruckner's motets in general:
Selected discography
The first recording of Bruckner's Ave Maria occurred in the early 1920s:
Pius Kalt, Choir of the St. Hedwig's Cathedral, 78 rpm: Grammophon J 25010, before 1925
A selection among the about 150 commercial recordings:
Philippe Herreweghe, la Chapelle Royale/Collegium Vocale, Ensemble Musique Oblique, Bruckner: Messe en mi mineur; Motets - CD: Harmonia Mundi France HMC 901322, 1989
