Avadhūta is a Sanskrit term from the root 'to shake' that, among its many uses, in some Indian religions indicates a type of mystic or saint who is beyond egoic-consciousness, duality and common worldly concerns and acts without consideration for standard social etiquette. Avadhuta is a Jivanmukta who gives his insight to others and teach them about his realisation of the true nature of the ultimate reality and self and takes the role of a guru to show the path of moksha to others. Some Avadhuta also achieve the title of Paramahamsa. Similar figures are also known in Buddhist traditions, such as the medieval Zen monkIkkyū, and the 20th century Tibetan tulkuChögyam Trungpa Rinpoche. In Tibetan Buddhism the equivalent type is called a nyönpa.
Types of avadhūtas
frames how the term avadhūta came to be associated with the mad or eccentric holiness or 'crazy wisdom' of some antinomianparamahamsa who were often 'skyclad' or 'naked' :
Sacrifice
et al.. equates Chöd practitioners as a type of avadhūta: The rites of Chöd differ between lineages but essentially there is an offering of their body as food, a blessing to demons and other entities to whom this kind of offering may be of benefit, the ganachakra. This leitmotif and sādhanā is common to another denizen of the charnel ground, Dattatreya the avadhūta, to whom has been attributed the esteemed nondual medieval song, the Avadhūta Gita. Dattatreya was a founding :wikt:adi-guru|adiguru of the Aghori according to Barrett :
Mahānirvāṇatantraṃ
, in his translation of the Mahānirvāṇatantraṃ from the original Sanskrit into English under the pen name "Arthur Avalon", may be the opening discourse of the archetype of "avadhūta" to the English reading public, as none of the avadhūta upanishads were translated amongst the collections of minor upanishads such as the Thirty Minor Upanishads. The Mahānirvāṇatantraṃ is an example of a nondualist tantra and the translation of this work had a profound impact on the Indologists of the early to mid 20th century. The work is notable for many reasons and importantly mentions four kinds of avadhūta.
Brahmanirvantantra
The Brahmanirvantantra describes how to identify the avadhuts of the following types:
Bramhavadhūta : An avadhuta from birth who appears in any class of society. Completely indifferent to the world or worldly matters.
Shaivavadhūta : Avadhutas who have taken to the renounced order of life, often with unkempt long hair, or who dress in the manner of Shaivites and spend almost all of their time in trance, or meditation.
Viravadhūta : This person looks like a sadhu who has put red colored sandal paste on his body and wears saffron clothes. His hair are very well grown and are normally furling in the wind. They wear in their neck Hindu prayer beads made of Rudraksha or a string with bones. They hold a wooden stick in their hand and additionally they always have a parashu or damaru with them.
Kulavadhūta : These people are supposed to have taken initiation from the Kaulasampradaya or people who awakened their Kundalini and capable of merging it at Sahashra Chakra or people who are capable of raising their awareness to Turiya and Turiyatita states. They are adepts in Kundalini Tantra. It is very difficult to recognize these people as they do not wear any signs outside which can identify them from others. The speciality of these people is that they remain and live like usual people do. They can show themselves in the form of Kings, a warrior, a family man or a beggar. That is a Kulavadhuta shows no outside signs of their spiritual status.
The Nath sampradaya is a form of avadhūtapanthan. In this sampradaya, Guru and yoga are of extreme importance. The important book for the Nath is the Avadhuta Gita. Gorakshanath is considered the topmost form of the avadhuta-state.
The Avadhutaka Upanishad is the 79th book of the Muktikā canon of upanishads. It is a sannyasa upanishad associated with the Black Yajurveda.
According to the International Nath Order of the Nath sampradaya, the Avadhūta Gita is a text of Advaita Vedanta sung by Dattatreya and recorded by his disciples Swami and Kartika.