Atsuko Asano is a Japanese actress. Upon marrying Tsutomu Uozumi, a reputed copywriter and lyricist in 1983, her “koseki” name became Atsuko Uozumi. She gave birth to a son in 1984.
Brief history
She was invited by a production agency to try out for acting at the age of 15. She appeared on TV for the first time in 1976, playing minor roles in dramas. In 1977 her appearance in the drama Fumiko to Hatsu on the Tokyo Broadcasting System is widely considered to be her debut work on TV.
Movie work started early as well, notably with a leading role in Slow Boogie which brought her acclaim. In 1983 her performance in Yokiroh earned her a Best Supporting Actress Award from the Japan Academy Prize.
From the mid-1980s she began to gain popularity in TV dramas. Top-rated series to follow were: Abunai Deka on Nippon Television, :ja:パパはニュースキャスター|Papa is Newscaster and :ja:抱きしめたい!|Dakishimetai! on Fuji Television, the latter being noted as a signature :ja:トレンディドラマ|trendy drama in Japanese TV and a boom to her popularity.
Then :ja:101回目のプロポーズ|The 101st Proposal was another major hit. She became an icon in Japan as a top actress, lady of natural style and fashion leader.
She has appeared on the cover pages of numerous magazines. On the pages therein her live-wire personality has been noted to speak for a new generation of Japanese women, and for millions of fans. Among her awards a favorite is “Best Jeanist” from the Japan Jeans Association in recognition of her attractiveness while clad in jeans.
While she impressed audiences with her elegant and “weeping” role in The 101st Proposal, her enactment of the popular cartoon characterSazae-san on TV showcased her talent for comedy. Then in contrast she performed a hard-edged role in the series :ja:沙粧妙子-最後の事件-|Sashow the Last Case, pointing to her skillful flexibility in acting.
Her career entered another phase with more stage roles than before, from starring in Romantic Comedy in 1998. Stage work gave inspiration and tremendous influence to her. This gave rise to her project of performing “Yomigatari”, storytelling stages with scenario based on “Kojiki”, the oldest extant chronicle in Japan, at shrines all around Japan since 2003. Starting at the shrines Ise Grand Shrine and Izumo-taisha, by 2010 she performed her storytelling stage before over 80,000 people on 64 stages. The project is ongoing. In many interviews she commented, “There are more than 80,000 shrines in Japan. I would like to visit all of them, but to do that living to the age of 200 won’t be long enough!”
