As Good as It Gets


As Good as It Gets is a 1997 American romantic comedy film directed by James L. Brooks, who co-wrote it with Mark Andrus. The film stars Jack Nicholson as a misanthropic and obsessive-compulsive novelist, Helen Hunt as a single mother with a chronically ill son, and Greg Kinnear as a homosexual artist. The paintings were created for the film by New York artist Billy Sullivan.
Nicholson and Hunt won the Academy Award for Best Actor and Best Actress, respectively, making As Good as It Gets the most recent film to win both of the lead acting awards, and the first since 1991's The Silence of the Lambs. It is ranked 140th on Empire magazine's "The 500 Greatest Movies of All Time" list.

Plot

Melvin Udall is a misanthropic best-selling romance novelist in New York City, whose obsessive–compulsive disorder has him avoiding stepping on sidewalk cracks while walking through the city, and eating breakfast at the same table in the same restaurant every day. He takes an interest in his waitress, Carol Connelly, the only server at the restaurant who can tolerate his uncouth behavior.
One day, Simon Bishop, a homosexual artist who is Melvin's apartment neighbor, is assaulted and nearly killed during a robbery. Melvin is intimidated by Simon's agent, Frank Sachs, into caring for Simon's dog, Verdell, while Simon is hospitalized. Although he initially does not enjoy caring for the dog, Melvin becomes emotionally attached to it. He simultaneously receives more attention from Carol. When Simon is released from the hospital, Melvin is unable to cope emotionally with returning the dog. Melvin's life is further altered when Carol decides to work closer to her home in Brooklyn so she can care for her acutely asthmatic son Spencer. Unable to adjust to a different waitress, Melvin arranges through his publisher to pay for her son's considerable medical expenses as long as Carol agrees to return to work. She is overwhelmed but skeptical of his generosity.
Meanwhile, Simon's assault and rehabilitation, coupled with Verdell's preference for Melvin, causes Simon to lose his creative muse and fall into a depression. With no medical insurance, he is approaching bankruptcy due to his medical bills. Frank persuades him to go to Baltimore to ask his estranged parents for money. Because Frank is too busy to take injured Simon to Baltimore himself, Melvin reluctantly agrees to do so; Frank lends Melvin the use of his Saab 900 convertible for the trip. Melvin invites Carol to accompany them on the trip to lessen the awkwardness. She reluctantly accepts the invitation, and relationships among the three develop.
Once in Baltimore, Carol persuades Melvin to take her out to have dinner. Melvin's comments during the dinner greatly flatter—and subsequently upset—Carol, and she abruptly leaves. Upon seeing Carol, who is frustrated, Simon begins to sketch her, semi-nude, in his hotel room, which rekindles his creativity, and he once more feels a desire to paint. He briefly reconnects with his parents, but is able to tell them that he will be fine.
After returning to New York, Carol tells Melvin that she does not want him in her life anymore. She later regrets her statement and calls to apologize. The relationship between Melvin and Carol remains complicated, until Simon persuades Melvin to declare his love for her. Melvin goes to see Carol, who is hesitant, but agrees to try and establish a relationship with him. The film ends with Melvin and Carol walking together. As he opens the door at an early morning pastry shop for Carol, he realizes that he has stepped on a crack in the pavement, but does not seem to mind.

Cast

In 1996, James L. Brooks flew Geoffrey Rush from Sydney to Los Angeles to audition for the part of Simon Bishop, and offered him the role, but Rush declined it.
Owen Wilson served as associate producer, one of his first jobs in Hollywood.

Soundtrack

The soundtrack features instrumental pieces composed by Hans Zimmer and songs by various artists. Zimmer's work was nominated for the Academy Award for Best Original Score – Musical or Comedy.

Release

Box office

As Good as It Gets was a box office hit, opening at number three at the box office with $12.6 million, and eventually earning over $148 million domestically and $314 million worldwide. It is Jack Nicholson's second highest earning film, behind Batman.

Critical reception

Chicago Reader film critic Jonathan Rosenbaum wrote that what director James Brooks "manages to do with as they struggle mightily to connect with one another is funny, painful, beautiful, and basically truthful—a triumph for everyone involved."
Praise for the film was not uniform among critics. While Roger Ebert gave the film three stars, he called the film a "compromise, a film that forces a smile onto material that doesn't wear one easily," writing that the film drew "back to story formulas," but had good dialogue and performances. The Washington Post critic Desson Howe gave a generally negative review of the film, writing that it "gets bogged down in sentimentality, while its wheels spin futilely in life-solving overdrive."
Review aggregator Rotten Tomatoes reports that 85% of professional critics gave the film a positive review based on 79 reviews, with its consensus stating: "James L. Brooks and Jack Nicholson, doing what they do best, combine smart dialogue and flawless acting to squeeze fresh entertainment value out of the romantic-comedy genre." Metacritic gave the film a score of 67 out of 100, based on reviews from 30 critics, indicating generally favorable reviews.

Accolades

The film was nominated for and received many film awards, including Best Actor and Best Actress awards for Nicholson and Hunt at the 70th Academy Awards and the 55th Golden Globe Awards ceremony. It was nominated for a Best Picture Oscar and won Best Picture–Music or Comedy at the Golden Globes.
AwardCategoryNomineeResult
Academy AwardsBest PictureJames L. Brooks, Bridget Johnson and Kristi Zea
Academy AwardsBest ActorJack Nicholson
Academy AwardsBest ActressHelen Hunt
Academy AwardsBest Supporting ActorGreg Kinnear
Academy AwardsBest Screenplay Written Directly for the ScreenMark Andrus and James L. Brooks
Academy AwardsBest Film EditingRichard Marks
Academy AwardsBest Original Musical or Comedy ScoreHans Zimmer
ALMA AwardsOutstanding Actress in a Feature FilmLupe Ontiveros
American Cinema Editors AwardsBest Edited Feature FilmRichard Marks
Casting Society of AmericaBest Casting for Feature Film – ComedyFrancine Maisler
Critics' Choice AwardsBest PictureAs Good as It Gets
Critics' Choice AwardsBest ActorJack Nicholson
Czech Lion AwardsBest Foreign Language FilmJames L. Brooks
Directors Guild of America AwardsOutstanding Directorial Achievement in Motion PicturesJames L. Brooks
GLAAD Media AwardsOutstanding Film – Wide ReleaseAs Good as It Gets
Golden Globe AwardsBest Motion Picture – Musical or ComedyAs Good as It Gets
Golden Globe AwardsBest Actor in a Motion Picture – Musical or ComedyJack Nicholson
Golden Globe AwardsBest Actress in a Motion Picture – Musical or ComedyHelen Hunt
Golden Globe AwardsBest Supporting Actor – Motion PictureGreg Kinnear
Golden Globe AwardsBest Director – Motion PictureJames L. Brooks
Golden Globe AwardsBest Screenplay – Motion PictureMark Andrus and James L. Brooks
Motion Picture Sound Editors AwardsBest Sound Editing – Music As Good as It Gets
MTV Movie AwardsBest Female PerformanceHelen Hunt
National Board of Review AwardsAs Good as It Gets
National Board of Review AwardsBest ActorJack Nicholson
National Board of Review AwardsBest Supporting ActorGreg Kinnear
Producers Guild of America AwardsOutstanding Producer of Theatrical Motion PicturesJames L. Brooks, Bridget Johnson and Kristi Zea
Satellite AwardsBest Motion Picture – Musical or ComedyAs Good as It Gets
Satellite AwardsBest Actor in a Motion Picture – Comedy or MusicalJack Nicholson
Satellite AwardsBest Actress in a Motion Picture – Comedy or MusicalHelen Hunt
Satellite AwardsBest Supporting Actor in a Motion Picture – Comedy or MusicalCuba Gooding Jr.
Satellite AwardsBest Supporting Actor in a Motion Picture – Comedy or MusicalGreg Kinnear
Satellite AwardsBest Supporting Actress in a Motion Picture – Comedy or MusicalShirley Knight
Screen Actors Guild AwardsOutstanding Performance by a Male Actor in a Leading RoleJack Nicholson
Screen Actors Guild AwardsOutstanding Performance by a Female Actor in a Leading RoleHelen Hunt
Screen Actors Guild AwardsOutstanding Performance by a Male Actor in a Supporting RoleGreg Kinnear
Writers Guild of America AwardsBest Screenplay Written Directly for the ScreenMark Andrus and James L. Brooks