Arts Commons


Arts Commons is a multi-venue arts centre in downtown Calgary, Alberta, Canada, located in the Olympic Plaza Cultural District.
Occupying a full city block, Arts Commons is a six level complex measuring over. It is one of the three largest arts centres in Canada. In addition to a variety of performance spaces, Arts Commons also houses rehearsal halls, theatre workshops, offices, meeting rooms, a café, and art works from community groups and galleries displayed throughout.

History

The oldest part of the city block that houses the Arts Commons is the Burns Building, named after noted Calgarian Pat Burns. Construction began in April 1912 and was completed at a cost of $350,000. In the late 1970s, the demolition of the Burns Building became a possibility, because it was on land needed for the construction of the Calgary Centre for the Performing Arts. Demolition proposals were defeated by the Calgary City Council by one vote, and, along with the Calgary Public Building, the building was incorporated into the plan for the Arts Centre. In 1979, the Public Building was bought by the City of Calgary for $3.8 million and its upper floors are still occupied by City of Calgary offices.
The newly created Centre was officially opened on 14 September 1985 by the then Premier of Alberta Peter Lougheed. After a donation by EPCOR, an Edmonton, Alberta-based utilities company, the name was changed to the EPCOR CENTRE for the Performing Arts on 1 May 2001.
On 17 December 2014, at the Annual General Meeting, it was publicly announced that the performing arts centre would be rebranded as Arts Commons, the name which represents "the Arts" and which expands the organization's offerings beyond the performing arts to a wider variety of arts and genres, given the organization's expansion beyond what is presented just on stage. "Commons" is derived from the old town square concept where ideas are shared, people from all walks of life gather, and different perspectives are welcomed.

Amenities offered

Almost 400,000 people attend 1800-plus performances and events each year at the Arts Commons. Such events include live theatre, dance, spoken word and readings, children's events, experimental theatre, art exhibits, public forums, weddings, training sessions, meetings, arts education activities, sporting events and competition, award ceremonies and concerts ranging from symphonic music to jazz, folk, blues, world and rock.

Performance and other facilities

Arts Commons presents music programming, arts education and movies. Programs include the BD&P World Music Series, PCL Blues Series, TD Jazz Series, and Arts Learning projects. The Arts Commons facility also hosts the Gallery of Alberta Media Art a screen based media gallery in the +15 portion of the building.

Jordan Peterson Controversy

After the announcement of the University of Toronto professor Jordan Peterson giving a lecture at Arts Commons was announced, several Calgarian art groups addressed an open letter to the Arts Commons' Board of Directors on 24 July 2018. The letter demanded that the event be canceled, that they provide diversity training for their staff, and issue a public apology to the "2SLGBTQIA community". It expressed the "deep shock and disappointment" that the artists and organizations signing the letter felt over Arts Commons' choice to host the speaker, who in the past has been criticized for his online and public arguments against government mandated speech laws and his opposition to Bill C-16. The letter was signed by staff of several small artist run centres, including Untitled Art Society, TRUCK Contemporary Art in Calgary, Stride Gallery, The New Gallery, other organizations such as the M:ST Performance Artist Festival Society and VOICESYYC, and over 1200 individual signatures. A responding statement written by the CEO of Arts Commons at the time, Johann Zietsman, expressed Arts Commons' support for free speech which meant, "not censoring someone because we don't agree with what they have to say." The event was not canceled and was held on 27 July 2018.

Censorship Controversy

In early September 2018, The New Gallery released a statement on its website and Facebook page describing the circumstances of what it said was censorship of a trans artist exhibiting in a vitrine space within the Arts Commons building and Calgary +15 Network. The New Gallery's said Arts Commons had turned off the 3-channel video work being exhibited in the space because, Arts Commons said, it contained swearing and nudity that had garnered complaints from patrons. On 29 August 2018 Arts Commons sent The New Gallery a letter saying the video work would have to be edited to remove the nudity and coarse language or the artwork would be taken down. In response, on 8 September 2018, The New Gallery provided an open-letter written by the exhibiting artist, B.G-Osborne, in which Osborne stated that "rather than re-edit and censor my work to comfort certain viewers who are offended by the very banal acts of swearing and non-sexual nudity, I have decided to remove the piece from the space entirely." Osborne said it was ironic that an artwork that uses the imagery of cisgender actors playing trans characters to criticize the offensive portrayal of trans people was being criticized as offensive. Arts Commons owns the walkway and vitrine spaces but each is individually curated by a different gallery or art organization. Arts Commons programming director Jennifer Johnson said in an emailed statement to CBC that "while Arts Commons believes the piece, A Thousand Cuts, has merit, the language and images contained in the video and audio component are not a fit with our commitment to creating a public space for all."
In 2006, Arts Commons also received criticism for censoring a transgender artist who was exhibiting in the same +15 walk way space with another of Calgary's artist run centre galleries, TRUCK Contemporary Art in Calgary. A temporary wall was installed throughout the length of the walk way that blocked the entire view of the vitrine space save for a smaller entrance that could be accessed on the opposite side of the walk way. This wall was installed without speaking to the artist, Edie Fake, or staff from TRUCK. The art work was titled, 'Gaylord Phoenix in the Flower Temple' and depicted a cartoon of a gender-fluid man, touching his genitals.