Arthur and the Invisibles


Arthur and the Invisibles is a 2006 French adventure comedy fantasy animated/live-action film adaptation of the 2002 children's book Arthur and the Minimoys, and the 2003 sequel Arthur and the Forbidden City, written by filmmaker Luc Besson, who also directed the film.
It premiered in limited release in France on 29 November 2006, and received wide releases in a number of countries in the following weeks. With a budget of €60 million, Arthur and the Invisibles was briefly the most expensive French film production until surpassed by Astérix at the Olympic Games.
The film received negative reviews from critics, and under-performed in the United States. It was nevertheless successful enough in France and in the rest of the world to generate two sequels, Arthur and the Revenge of Maltazard and . The film received the Imagina Award in the category Prix du Long-Métrage. The movie's soundtrack album was released on 9 January 2007.

Plot

In 1960, protagonist 10-year-old Arthur lives with his grandmother Daisy in a quiet farm house on a dirt road, in a small rural community in Northeastern Connecticut. His grandfather Archibald has recently gone missing and he sees little of his parents. Daisy entertains Arthur with stories of his grandfather's adventures in Africa, featuring the tall Bogo Matassalai and the minuscule Minimoys, of whom the latter now live in Archibald's garden, protecting a collection of rubies. Arthur becomes enamoured of a picture of Selenia, the princess of the Minimoys. When Daisy receives a two-day deadline to pay a large sum of money to a building developer named Ernest Davido, who plans to evict the two, Arthur looks for the rubies to pay off the debt and discovers various clues left by his grandfather. He is met in the garden by the Bogo Matassalai, who reduce Arthur to Minimoy size. From the Minimoys, Arthur learns that they are in danger from Maltazard, a Minimoy war hero who now rules the nearby 'Necropolis', after corruption by a weevil, by whom he has a son named Darkos.
Arthur, reflecting his legendary British namesake, draws a sacred sword from its recess and uses it to protect the Minimoys from Maltazard's soldiers; whereupon Sifrat, the ruler of the Minimoys, sends Arthur to Necropolis, with the princess Selenia and her brother Betameche. En route, they are attacked on two occasions by Maltazard's soldiers. In Necropolis, Selenia kisses Arthur, marking him as her husband and potential successor, and confronts Maltazard alone. When Maltazard learns that she has already kissed Arthur and thus can no longer give him her powers and cure his corruption, he imprisons all three, who discover a Minimoy form of Archibald. Thereafter Arthur and his grandfather escape and return to human form, with little time to spare before Maltazard's flood reaches the Minimoys. With the help of Mino, a royal advisor's long-lost son, Arthur redirects the flood to Necropolis; whereupon Maltazard abandons Necropolis and his son, and the water ejects the rubies above ground. Archibald pays Davido with one ruby; and when he tries to take them all, the Bogo Matassalai capture him and give him to the authorities. The film ends with Arthur asking Selenia to wait for his return, and her agreement to do so.

Cast

The animation was done by the French company BUF Compagnie, which hired approximately 100 animators, most of them from French animation schools and without any previous experience. Besson wanted a photorealistic environment, and BUF initially used microlenses to film physical environments, but eventually instead used photogrammetry, where a digitized photograph of a real object is manipulated with a computer. Sets were built to 1:3 scale, which allowed the animators to use natural elements, such as plants and grass. While the film did not use motion capture, real actors were used as reference, and recorded with 13 to 14 video cameras, but without the markers used in motion capture. Besson directed their performances. In terms of lip sync with actors' dialog, the French animators could not cope with the English phonemes. For Madonna and David Bowie, a camera was used to record their lips to help the animators. The animation was done with proprietary software.

Soundtrack

Reception

Box office

The film was budgeted at $85 million. In its first two weeks in cinemas in France Arthur earned over US$20 million.

Critical response

Arthur and the Invisibles received negative reviews from film critics. In the United States, the movie's Los Angeles run received an approval rating of 22% at Rotten Tomatoes based on reviews from 92 critics. The site's census reads, "Arthur wastes its big-name voice talent on a predictable script and substandard CG animation." On Metacritic the film has a score of 39 out of 100 based on reviews from 22 critics.
Los Angeles Times reviewer Alex Chun wrote that, "Director Luc Besson admits he knew nothing about animation before he started this project, and it shows". Variety's Robert Koehler called it "alienating and dislikable" and specifically noted that, "Having African-American thesps Snoop Dogg and Anthony Anderson voice creatures that are basically humanoid monkeys shows poor taste."
Many found it derivative of sources ranging from King Arthur's sword-in-the-stone to the films The Dark Crystal and The Ant Bully, which itself was based on a children's book written three years before Besson's. "It all simply looks as if Garcia and Besson couldn't decide on any one thing to copy," said Frank Lovece of Film Journal International, "so they copied them all." Lovece also noted that, "the whole thing gets seriously creepy when the grown-up, pinup-beauty princess and the 10-year-old boy fall for each other. Mary Kay Letourneau comes uncomfortably to mind." Common Sense Media disliked the film, giving it 2 stars out of 5 and saying, "Uneven animation-live action combo may bore kids." Josh Tyler of Cinema Blend greatly disliked the film, giving it 1.5 stars out of 5 and saying, "Sure it has sometimes loved French director Luc Besson's name on it, but the character designs look like they were stolen from those wispy haired troll dolls that were popular for about five minutes fifteen years ago, and the plot sounded like it was written by a ten-year-old kid underneath a heavy bedspread with a big chief tablet and a pencil the size of a horse's leg." Besson, in a May 2007 interview, blamed American distributor The Weinstein Company for the film's failure in the U.S., saying "Why the critics didn't like Arthur was because changed so much of the film and tried to pretend the film was American. America and the UK were the only countries where the films were changed. The rest of the world has the same film as France."

Awards

On 1 February 2007, the film received the Imagina Award in the category Prix du Long-Métrage. On 1 October 2007, Mylène Farmer was awarded the NRJ Ciné Award for her dubbing of Sélénia's voice in Arthur and the Minimoys.

Differences between release versions

After a screening test in the United States, the Weinstein company edited the film. Approximately nine minutes were cut. Most of the edits pertained to the love story between Arthur and Selenia. The Scenes were:
The entire storyline involving the parents and their greed for money was also deleted, cut short by a small cutscene and a narrator explaining that worrying over their son was all they needed to reform completely.
The British version of the film, also distributed by the Weinstein Company, similarly lacked these scenes.

Technology

The Minimoys featured in the first Augmented Reality Nestle Chocopic cereal box with the help of Dassault Systemes technology 3DVIA Virtools.

Sequels

Arthur and the Invisibles was followed by a 2009 sequel, Arthur and the Revenge of Maltazard, based on a novel of the same name, and another sequel in 2010 titled , based on the final book in the series. In the UK & Ireland, both sequels were combined and made into a single movie titled Arthur and the Great Adventure, released in December 2010.
An animated TV series, Arthur and the Minimoys, was produced by Studio 100, and debut in 17 July 2018. A 20-episode web series is also being planned.