He began his career as radio and film producer in Cairo from 1939 to 1944. A well-known radio man in the 1950s, 1960s and 1970s, he created, produced and hosted on France Musique the flagship radio show' for 37 years, from 1946 to 1984, as well as other broadcasts. From 1947 to 1964, he founded and directed the magazine Disques, a review of classical record critics. At the same time, the UNESCO commissioned him with indexing, with a view to publishing catalogues, all existing recordings in the world of certain great composers, starting with Bach, Beethoven and Chopin. In 1946, he was also the founding vice-president of the Académie Charles-Cros. Also passionate about cinema, Panigel worked for French television, as music producer, film director and television presenter for numerous programs: notably Au cinéma ce soir which presented a film preceded by a montage of news from the time of its release, and ', which today constitutes a considerable mine of interviews with the greatest French directors who were his contemporaries; but also Cinéma-Variations, Ce jour-là, j'en témoigne : chroniques du temps de l'ombre 1940-44 and Portraits de cinéastes et de musiciens. In 1985, he created the in Saint-Rémy-de-Provence, a group of scholarship specialists in his favourite fields and concerned by the transmission of the memory of the great interpretations of the past to as many people as possible, thus sharing 60 years of its private collections: more than 200,000 classical records, 40,000 films and 160,000 books on music and cinema. In the same spirit of safeguarding cultural heritage, he also pursued a career as a publisher, notably as director of series at Régie-Cassette-Vidéo, where he established la Mémoire du cinéma, and founding director of Rééditions d'enregistrements du domaine public of classical music, dedicated to la Mémoire de la musique. In addition to this already very dense career, Armand Panigel also held the following positions: Chairman and Chief Executive Officer of "Éditions et impressions de la Cinématographie française ", président of the Commission d' du cinéma, Member of the Board of Directors of the association des auteurs de films, Director of collections of classical music CDs. His career has been rewarded with his promotion to the rank of officer of the Ordre des Arts et des Lettres. He was also the author of several reference books on music and cinema. In 1994, fascinated by new technologies, he began producing and directing CD-ROMs, "because it is a three-dimensional work, combining sound, image and text: it is the dream of my life," he declared to the AFP one year before his death.
