Arca di San Domenico


The Arca di San Domenico is a monument containing the remains of Saint Dominic. It is located in Dominic’s Chapel in the Basilica of San Domenico in Bologna, Italy.

History

The elaboration of this artistic masterpiece was performed in separate stages by the best sculptors of their time and took almost 500 years to finish.
Saint Dominic died in the convent of the church of San Nicolò delle Vigne on 6 August 1221. He was buried behind the altar. The church of San Nicolò was expanded into the Basilica of San Domenico between 1228 and 1240. The remains of the saint were moved in 1233 from its place behind the altar into a simple marble sarcophagus, situated on the floor in the right aisle of the church for the faithful. Since most of the pilgrims, who came in great numbers to see the grave, were not able to see this shrine, hidden by so many people standing in front of it, the need was felt for a new shrine.
In 1264, the Dominicans then commissioned a new tomb for their founder to Nicola Pisano, the famous sculptor of the pulpit of the Pisa Baptistery. He was certainly responsible for the design of the new sarcophagus, but in 1265 he was already at work on another assignment, the pulpit for the Siena Cathedral. The front side was done in his workshop, partially by Nicola Pisano himself but mostly by his assistant Lapo di Ricevuto. The rectangular sarcophagus was originally borne on caryatid figures. When the Ark was later redesigned, these supports were dispersed and are now tentatively identified in several museums: the archangels "Michael" and "Gabriel", the statue "Faith", a group of three deacons and a similar group in the Museum of Fine Arts, Boston.
The sarcophagus was relocated in the middle of the church in 1411. Between 1469 and 1473 a crowning was added on the flat top of the sarcophagus by Niccolò dell'Arca and several other masters in their art. Among them was the young Michelangelo, who added the statuettes of San Petronio, a candlestick-holding angel and San Procolo.
In 1532, a step was added between the sarcophagus and the altar slab by Alfonso Lombardi.
The present chapel of Saint Dominic was rebuilt starting in 1597 by the Bolognese architect Floriano Ambrosini, replacing the small gothic chapel that had been constructed in 1413. The Dominicans wanted a chapel for their founder to match the splendor of the other existing chapels. The fresco on the cupola of the apse Glory of St Dominic, depicting the ascent of the saint into heaven, is a baroque masterpiece by Guido Reni, the artistic value of this fresco matches that of the underlying Ark of St Dominic.
Finally the whole tomb was put on a marble altar in the 18th century. In a little chapel, on the back of the tomb, is the golden reliquary with the Head of St. Dominic, a masterpiece by Jacopo Roseto da Bologna.

The sarcophagus

The sarcophagus is the middle part and also the oldest part of the shrine. It contains the remains of Saint Dominic in a cypress coffin, with the exception of his head. Nicola Pisano, already famous for his pulpit in the Pisa Baptistery, was asked in 1264 to construct this sarcophagus. He was certainly responsible for the design, but left the brunt of the work to his workshop, since in 1265 he was already at work on a new commission.
The front side was done in his workshop, partially by Nicola Pisano himself but mostly by his assistant Lapo di Ricevuto. and another famous sculptor Arnolfo di Cambio. The Dominican brother fra Guglielmo da Pisa made a small contribution. According to Gnudi an anonymous Fifth Master was also involved. A collaboration of several sculptors on such a large commission was normal practice in medieval sculpture.
The sarcophagus recounts the life and miracles of Saint Dominic in a series of six carved panels. The compositions are neatly filled with figures in organized rows, giving a single approach to space. The sarcophagus is flanked on each corner by statues in high-relief of the Four Doctors of the Church.
The scenes are arranged in following sequence from left to right and counterclockwise:
Work on the sarcophagus was finished in 1267. This sarcophagus, originally with its caryatid supports, was taken as model for other tombs: the shrine of St Peter Martyr in the basilica of San Eustorgio in Milan, the shrine of St Luke in the basilica of San Giustina in Padua and the tomb of Beato Bertrando in Udine.

The crowning

The ambitious addition of a crowning to the sarcophagus was commissioned in 1469 to Niccolò da Bari to complete this funeral monument. Work at this elaborate spire continued till 1473. But it is not clear why Niccolò did not complete his contract, even if he did continue intermittently at it until his death in 1494.
On top of a candelabrum, rising from the cyma, stands the impressive statue of the Eternal Father. The candelabrum is held by two putti, symbols of the sky, and four dolphins, symbols of the sea, all covered with festoons with fruit, symbols of the earth.
On the cornice at its base is in the middle a small Pietà, flanked by two winged angels, while on the four corners stand the four Evangelists in oriental robes. The lower part of the cyma is surrounded by several free-standing figures, the Patron Saints of Bologna: Saint Francis of Assisi, St. Petronius, Saint Dominic and Saint Florian. On the back stand the statues St Anne, St John the Baptist, San Vitale and St. Proclus.
Niccolò also added the delicate Candlestick-holding Angel on the left side of the altar slab, below the sarcophagus, while the Angel on the right side with its youthful strength is by Michelangelo. Michelangelo was paid thirty ducats by his patron Francesco Aldovrandi.
Because of the admiration he received for this splendid masterpiece, he was renamed Niccolò dell'Arca. Art critics perceive in this masterpiece a blend of influences: Burgundian, Florentine and non-Tuscan. The way these statuettes express their emotions and the patterns in their dresses and hair evoke the style of Jacopo della Quercia

The step

The step, between the sarcophagus and the altar slab, was the third addition to the monument. It was sculpted in 1532 by Alfonso Lombardi. Again it depicts a number of episodes form the life of Saint Dominic.
The marble altar was the last addition to the Arca. It was designed by Mauro Tesi and later built by Alessandro Salviolini in 1768. On the altar slab stand the two statuettes of the angels holding a candlestick; on the left by Niccolò dell'Arca, on the right by Michelangelo.
The frontal was sculpted in G. Battista Boudard's workshop in Parma in 1768. It represents St. Dominic's Burial, as designed by Carlo Bianconi.

The reliquary

Behind the altar, under the sarcophagus is a small chapel, protected by a bronze grill, containing the precious reliquary with the head of Saint Dominic. This masterpiece of gold and silver is the work of the goldsmith Jacopo Roseto da Bologna. Its octagonal base is adorned with elaborate enamelled panels, related to events in the life of the saint. The shaft consists of three levels. It stands in the middle of a circle with winged angels. The shaft supports an octagonal temple, containing the head. It is adorned with Gothic windows and small statuettes in niches. The silver bust of the Saint crowns the whole, but it was added in a later stage.