Antonio Alice


Antonio Alice was an Argentine portrait painter. He was awarded the Prix de Rome in 1904.

Early years

Alice, of Italian descent, was born in Buenos Aires, Argentina. His father, an Italian immigrant, was barely literate. His two sisters, Matilde and Santina, posed for several of his paintings.
Expelled from school and considered incorrigible for drawing in his textbooks, Alice went to work as a shoeblack. At the age of 11, while sketching Gaucho portraits between shoe shines, he was discovered by Cupertino del Campo, who went on to become the Director of the National Museum of Fine Arts of Buenos Aires. Del Campo referred Alice to the painter, Decoroso Bonifanti who gave the boy his first painting lesson in 1897.
In 1904, he was awarded the Prix de Rome and entered the Royal Academy of Painting in Turin, studying under Giacomo Grosso, Francisco Gilardi, and Andrea Tavernier. During his four years at the Academy, he was awarded three Gold Medals.

Career

At the 1908 Quadriennale di Torino, his Portrait of the Painter Decoroso Bonifanti won acclaim, and in 1911 in Buenos Aires, he received the painting prize at the 1st Salon Nacional de Bellas Artes for Portrait of a Lady. Salon des Artistes Français. San Martin en el destierro, painted in 1913 in Paris, is considered one of his best works. He was awarded the Silver Medal at the Salon des Artistes Français in 1914, which included an annually exhibited hors concours painting. His painting La muerte de Güemes, which received a Gold Medal at the
1910 Centenary of National Independence Exposition, was later purchased for display by the Salta Provincial Government.
In 1915, he won the Medal of Honor in paintings at the Panama–Pacific International Exposition in San Francisco, California, USA. Three years later, he exhibited 60 Brazilian canvases in Rio de Janeiro.
Alice painted several portraits of notable Argentines of his time, including General Julio Argentino Roca, Joaquín Víctor González, and Marcelino Ugarte. Other important works were large canvases with the theme of patriotic exaltation, including "San Martín en Boulogne-sur-Mer, Argentina, Tierra de promisión, and Los Constituyentes de 1853.

Criticism

At the 10th Salon Nacional de Bellas Artes, his work was described by the painter and art critic José León Pagano as "struggling in vain with an ingrate theme...and his effort is limited to giving us a violent note and doubtful taste."

Later life

Alice died in Buenos Aires in 1943 at the age of 57.