Anne Szumigalski


Anne Szumigalski, SOM was a Canadian poet.

Life

She was born Anne Howard Davis in London, England, and grew up mostly in a Hampshire village. She served with the Red Cross as a medical auxiliary officer and interpreter during World War II, following British Army forces in 1944-5 across parts of newly liberated Europe. In 1946, she married Jan Szumigalski, a former officer in the Polish Army, and lived with him in north Wales before immigrating to Canada in 1951. They had four children: Kate, Elizabeth, Tony and Mark. She spent the rest of her life in Saskatchewan, first in the remote Big Muddy valley, then in Saskatoon.

Writing career

Most of her fifteen books are collections of poetry, but she also wrote a memoir, The Voice, the Word, the Text as well as Z., a play about the Holocaust. Her first book, Woman Reading in Bath, was published by Doubleday in New York. Thereafter she made the deliberate choice to publish her work with Canadian presses. She helped found the Saskatchewan Writers Guild and the literary journal Grain, and served as a mentor to many younger writers.
Szumigalski combined a love of the Canadian Prairies with a passion for language, a faith in poetry and an intimate knowledge of literary tradition. She was a great admirer of William Blake, some of whose visionary qualities appear in her own work.
Her finest work is collected in a big volume of selected poems, On Glassy Wings. In 2006 her literary executor Mark Abley edited a volume of her posthumous poems, When Earth Leaps Up. A final posthumous book is expected in 2010.
The Manitoba Writers Guild has set up a scholarship in her name. The Saskatchewan Book Award for Poetry is named for her. Her papers are held at the University of Regina, and University of Saskatchewan.

Awards

In 1989, she was awarded the Saskatchewan Order of Merit. Her 1995 collection Voice, featuring paintings by Marie Elyse St. George, won the Governor General's Award for English language poetry. She also received many other honours over the years.

Works

Memoirs

Z is thus, in my estimation, a major dramatic achievement. Szumigalski’s integration
of poetry, dance and drama is so effective that she has managed to put an experience on
stage which not only makes you think about the horrors of the past but also about the
callousness and dangers of the present. She sounds a wake-up bell, telling us to stay
vigilant.

I think that Anne Szumigalski deserves to be heard, sounded, because she represents the highest achievement of the English-Canadian mystical oracular poet, perhaps equaled only by Gwendolyn MacEwen. Too, her defence of spoken word aligns her with the only poetic movement in Canada that is fully of the people, by the people, for the people. As a poet of mystical bent, she is a bridge between the Blake mode and its strongest Anglo-Canadian practitioners, helping again to reinforce the non-academic side of our mainly academically-oriented verse. Her fascination with print and art highlights the possibility for other "illuminated books" in our culture, while her passionate religious philosophy connects her to such epochal figures as Louis Riel. As well, her union of dance and poetry may reinvigorate our drama, while her status as immigrant aligns her with that strong proportion of Canadian literature created by foreign-born writers. Finally, as a woman whose feminism is both complex and natural, she opens up understandings of relationships beyond gender clichés. She is a woman British Prairie oracular poet who belongs transformatively to the entire English-speaking world. Poets, read her.

It's a strange feeling to be giving the Anne Szumigalski Lecture for the League of Canadian Poets. Anne Szumigalski and I were connected with the same magazine, long, long ago—in the early days of Grain – but even longer ago than that, I was present at the formation of the League of Canadian Poets, way back in the mid-'60s