Ancient Airs and Dances


Ancient Airs and Dances is a set of three orchestral suites by Italian composer Ottorino Respighi, freely transcribed from original pieces for lute. In addition to being a renowned composer and conductor, Respighi was also a notable musicologist. His interest in Italian music of the 16th, 17th, and 18th centuries led him to compose works inspired by the music of these periods.

Suite No. 1 (1917)

Suite No. 1 P 109 was composed in 1917. It was based on Renaissance lute pieces by Simone Molinaro, Vincenzo Galilei and additional anonymous composers.
  1. Balletto: "Il Conte Orlando"
  2. Gagliarda
  3. Villanella
  4. Passo mezzo e mascherada
The orchestration calls for 2 flutes, 2 oboes, English horn, 2 bassoons, 2 horns in F, trumpet in D, harp, harpsichord and strings.

Suite No. 2 (1923)

Suite No. 2, P 138 was composed in 1923. It was based on pieces for lute, archlute, and viol by Fabritio Caroso, Jean-Baptiste Besard, Bernardo Gianoncelli, and an anonymous composer. It also includes an aria attributed to Marin Mersenne.
  1. Laura soave: balletto con gagliarda, saltarello e canario
  2. Danza rustica
  3. Campanae parisienses & Aria
  4. Bergamasca
The orchestration calls for an average-sized orchestra of 3 flutes, 2 oboes, English horn, 2 clarinets in A/B♭, 2 bassoons, 3 horns in D, 2 trumpets in A/D, 3 trombones, 3 timpani, celesta, harpsichord 4-hands, harp and strings.

Suite No. 3 (1931)

Suite No. 3, P 172 was composed in 1931. It differs from the previous two suites in that it is arranged for strings only and somewhat melancholy in overall mood. It is based on lute songs by Besard, a piece for Baroque guitar by Ludovico Roncalli, and lute pieces by Santino Garsi da Parma and additional anonymous composers.
  1. Italiana
  2. Arie di corte
  3. Siciliana
  4. Passacaglia

    Piano reductions

The Ancient Airs and Dances first two suites were freely transcribed by the composer for piano.

Recordings

There have been many recordings of the suites in their entirety, and individually, with Suite No. 3 most frequently appearing alone. Recordings include: