Amy Sillman was born in Detroit, Michigan. Prior to graduating from Manhattan's School of Visual Arts in 1979, she held a wide variety of jobs, including working in a cannery in Alaska, a feminist silkscreen factory in Chicago, and training at New York University as a Japanese interpreter for the United Nations. While a student at the School of Visual Arts, Sillman contributed to. She received her MFA from Bard College in 1995.
Work
Sillman began studying and working in painting in the mid 1970s. Her influences include the New York School, Abstract expressionism, and Willem de Kooning and Philip Guston in particular. Sillman does not consider herself an Abstract Expressionist, stating, "I wanted to learn about both Abstract Expressionism and the critique of easel painting—not because I wanted to emulate them, but because I didn’t like them." Sillman's work is both abstract and representational, incorporating elements such as figuration, collage, and diagrammatic shapes. In a 2006 Artforum article, Jan Avgikos wrote that Sillman's paintings “mine the edges of abstraction, meshing patches of color with bursts of chaotic line and web-like compositional scaffolding.” Her layered works often include humor, visual jokes, cartoons, psychological elements, and feminist critique. In a The New York Times review of Sillman's 2006 exhibition at Sikkema Jenkins & Co., Ken Johnson wrote, “The paintings are especially gratifying up close, where you can study the richly complicated textures and colors...” In 2007 Sillman completed four etchings at Crown Point Press, and of this experience, she has said, “Everything that is done in my painting was taken apart layer by layer in printmaking. You take one hundred layers apart and figure out which six will work.” According to art historian and curator Helen Molesworth, "Sillman's oeuvre is marked by radical shifts--in palette, brushwork, scale, and the degree to which a work is structured by the logic of either drawing or painting." In a 2007 article in Artforum, Linda Norden wrote of Sillman's “fearless, tenacious pursuit of a painting that might accurately register the discomfort, incoherence, and absurdity that can characterize painterly experience—and experience in general,” and speaks of “her increasingly influential place among younger painters in both New York and Los Angeles, where she regularly shows, and her growing currency even among contingents of European painters.” Art critic Roberta Smith compared Sillman to similar women painters such as Elena Sisto, Margaret Curtis, and Sue Williams. Sillman lives and works in Williamsburg, Brooklyn.
In 1995, the same year she received an MFA from Bard College, Sillman was awarded a National Endowment for the Arts fellowship in painting and the Elaine de Kooning Memorial Fellowship in 1995. In 2000 she was awarded a Guggenheim Fellowship. In 2012, as part of the fifth anniversary of the Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art, the museum presented Sillman with the First Award, a prize given to 15 women who were first in their fields. In 2014, Sillman participated in the American Academy in Rome Residency. Amy Sillman was a Guna S. Mundheim Fellow in the Visual Arts at the American Academy in Berlin, Germany, during the Spring of 2009. During the fall of 2010, she was a Fellow at the Radcliffe Institute for Advanced Study at Harvard University. In May 2011, the Montserrat College of Art awarded her an honorary doctoral degree in fine arts.
