Amalie Skram


Amalie Skram was a Norwegian author and feminist who gave voice to a woman's point of view with her naturalist writing. In Norway, she is frequently considered the most important female writer of the Modern Breakthrough. Her more notable works include a tetralogy, Hellemyrsfolket which portray relations within a family over four generations.

Biography

Early life

Berthe Amalie Alver was born in Bergen, Norway. Her parents were Mons Monsen Alver and Ingeborg Lovise Sivertsen. She was the only daughter in a family of five children. Her parents operated a small business, which went bankrupt when Amalie was 17 years old. Her father emigrated from Norway to the United States to avoid a term of imprisonment. Her mother was left with five children to care for.
Her mother pressured Amalie into a marriage with an older man, Bernt Ulrik August Müller, a ship captain and later mill owner. Following thirteen years of marriage and the birth of two sons she suffered a nervous breakdown, in part attributed to his infidelity. After several years in a mental hospital, she was divorced from Müller. Together with her two sons, Jacob Müller and Ludvig Müller, she moved to Kristiania and began her literary activities. There she met the Bohemian community, including writers Arne Garborg and Bjørnstjerne Bjørnson, with whom she remained in contact for many years.

Denmark

In 1884 Amalie Müller married again, this time the Danish writer Asbjørn Oluf Erik Skram, a son of railroad director Gustav Skram. She moved to Copenhagen, Denmark with her new husband. They had a daughter, Ida Johanne Skram, from this union. Her obligations as housewife, mother and author as well as the public's limited acceptance for her then-radical work, led to a further breakdown in 1894, after which Amalie lived in a psychiatric hospital near Roskilde. In 1900 her second marriage was dissolved. She died six years later in Copenhagen and was buried at Bispebjerg Cemetery.

Literary career

In 1882 Amalie Skram debuted with the short story "Madam Høiers leiefolk", published in the magazine Nyt Tidsskrift.
Her works continued until her death. She dealt with topics she knew well. Her work can be divided into three categories:
She is recognized as an early and strong proponent of what has come to be known as the women's movement, setting the early European trend. Her works, which had been generally forgotten with her death, were rediscovered and received strong recognition in the 1960s. Several of her works are currently available in recent translations to English.

Subsequent recognition