Alanna Lockward was an author, curator and filmmaker based in Berlin and Santo Domingo. She was the founding director of Art Labour Archives, a platform for theory, political activism and art since 1996. Lockward had conceptualized and curated the trans-disciplinary meeting BE.BOP.
Biography
Lockward was born in Santo Domingo, Dominican Republic, on March 23, 1961. She comes from a family of famous intellectuals, her grandfather was George Augustus Lockward Stamers, a historian, university professor, philologist, writer, journalist, cooperativist and Gideon Society member. He is the award-winning author of the history of the African Methodist Episcopal Church and other Protestant congregations in the Dominican Republic. Her great-uncle was the singer and songwriter Juan Lockward. From 1979-83, she was a student at the Universidad Autónoma Metropolitana-Xochimilco, Mexico City. She completed her postgraduate Master's Degree in Art at the Universität der Künste in Berlin. Her thesis was a review of articles from the renowned German newspaperDer Tagesspiegel. Her focus here was on the linguistic construction of Black identities. Lockward was appointed Director of International Affairs at the Museo de Arte Moderno de Santo Domingo in 1988 and has served in several occasions as selection and award jury in national as well as international biennials.
Works
Curator
"Call & Response" BE.BOP.2016 at the Berlin Theater Volksbuehne.
Spiritual revolutions and "The Scramble for Africa" BE.BOP.2014 at Ballhaus Naunynstrasse.
Decolonizing the "Cold" War. BE.BOP.2013 Roundtable and screening program Ballhaus Naunynstrasse, Berlin, May 20–23.
BLACK EUROPE BODY POLITICS BE.BOP.2012. Roundtable and screening program Ballhaus Naunynstrasse, Berlin, May 4–6.
Truestories. Truesuccess, Freies Museum, Berlin, October 31– November 19.
Naturaleza Intervenida Espacio Iniciarte, Seville. With Juan Ramón-Barbancho, Nilo Casares, and Andrés Isaac Santana, November 16 -December 20. Commissioned by Junta de Andalucía.
In His Shoes, Prague Quadrennial performance by Nicolás Dumit Estévez. In cooperation with Franklin Furnace, New York.
F-Files, Universität der Künste, Berlin Documentation Exhibition. Commissioned by the Institute for Art in Context.
Días Hábiles–Noches Hábiles, Museo del Hombre Dominicano, Museo de Arte Moderno, International Performance Showcase, Santo. Commissioned by the III Festival Internacional de Teatro.
3 Idos, 3 y 2, Museo X-Teresa Arte Actual, Mexico City Contemporary Art from the Dominican Republic. Commissioned by the Dominican Embassy in Mexico.
Books
BE.BOP. 2012–2014: El Cuerpo en el Continente de la Conciencia Negra Ediciones del Signo, Buenos Aires, collection "El Desprendimiento".
Marassá and the Nothingness.
Un Haití Dominicano. Tatuajes fantasmas y narrativas bilaterales
Apremio. Apuntes sobre el pensamiento y la creación contemporánea desde el Caribe .
Films
Allen Report, Retracing Transnational African Methodism. received the production prize FONPROCINE 2013.
"Wild at Hair. IngridMwangiRobertHutter: Masks and Skin Politics as a German DeColonial Knowledge Production". In: ReARTIKULACIJA. Artistic-Political-Theoretical-Discursive Platform 10, 11, 12, 13. Marina Grznic, Belgrade, December 2010, pp. 23–24.
"Towards a Utopian Archaeology. Moving-image, Decolonization and Continuities in Haiti, Puerto Rico and the Dominican Republic". In: Videoarte en Latinoamérica: Una visión crítica. Barcelona: Brumaria, 2008, pp. 81–89.
"Pares & Nones: Visible Equality". In: Small Axe. A Journal of Criticism 24, Department of Anthropology Columbia University, New York, 2007, 5 pages.
"Elia Alba / Nicolás Dumit Estévez". In: Voces y Visiones. Highlights from El Museo del Barrio´s Permanent Collection. Museo del Barrio, New York, 2006, pp. 16–24.
Elia Alba. Los Quehaceres del Agua / Mónica Ferreras. La Verticalidad del Círculo / Charo Oquet. Una Sirena en el Reino de este Mundo. In: Arte Contemporáneo Dominicano. Casa de América-Turner. Madrid, 2002, pp. 30–33, 66-71. 106–110.
