Total time of unreleased score material excluding song instrumentals: 34 minutes and 29 seconds Total time of unreleased score material including song instrumentals: 48 minutes and 51 seconds
Cut songs
and Alan Menken composed several songs for an initial story treatment of Aladdin prior to beginning work on Beauty and the Beast. This story treatment incorporated several plot elements from the original folk tale and additional characters that were eliminated during later story development. Three songs from this score - "Arabian Nights", "Friend Like Me" and "Prince Ali" - survive in the final film. Menken composed several additional songs for the subsequent story revisions following Ashman's 1991 death, prior to Tim Rice's involvement with the project. Work tape, demo and master recordings of cut songs have been released in several formats, notably on the 1994 The Music Behind the Magic box set, the 2004 special edition soundtrack and the 2004 DVD release of the film. 1990 Original Score - music by Alan Menken, lyrics by Howard Ashman.
Arabian Nights
Arabian Nights
Babkak, Omar, Aladdin, Kassim
Arabian Nights
Friend Like Me
To Be Free
Proud of Your Boy – A demo version performed by Menken was featured on the 2004 special edition soundtrack. A pop version recorded by Clay Aiken was included on the 2004 DVD release of the film. It is in the film's stage musical adaption, which premiered 2011.
How Quick They Forget
Arabian Nights
High Adventure – A demo version performed by Menken and Ashman was featured on the 2004 special edition soundtrack.
Arabian Nights — This was later used as the ending for Aladdin and the King of Thieves.
Additional Menken/Ashman demos
Call Me a Princess – A cover version was recorded by actress/singer Kerry Butler and released on her first solo album, Faith, Trust & Pixie Dust in May 2008.
Alan Menken's score for Aladdin follows the compositional method also used in The Little Mermaid and Beauty and the Beast, with specific cues and motifs derived from the songs' melodies.
Aladdin's theme echoes the melody of "One Jump Ahead". It prominently appears in the score cues "Street Urchins", "To Be Free" and "Aladdin's Word".
Jasmine's theme is introduced in her first scene at the palace. Alan Menken later expanded this motif into the song "To Be Free" which is sung by Jasmine in the stage version as well as the musical.
The Sultan is usually accompanied by royal fanfare.
Jafars theme is darker, and resembles an instrumental version of "Arabian Nights". It also shares an instrumental version of the deleted song "My Finest Hour", whether he's alone or accompanied by Iago.
Genie shares the same musical motif as Jasmine, symbolizing his desire to also be free. This cue was expanded into the song "To Be Free" for.
When Aladdin and Jasmine are together, they are usually accompanied by an instrumental cue of "A Whole New World".