Akiko Ichikawa


Akiko Ichikawa is a New York City-based interdisciplinary artist, editor, writer, and activist. She has written on contemporary art and culture for Flash Art, Art in America, Hyperallergic, and zingmagazine.
A graduate of Brown University and New York City's Hunter College's MFA studio program, her article on the photography of Dorothea Lange, Toyo Miyatake, and Ansel Adams at Manzanar became popular in fall 2016, following comments by a spokesperson of a Trump-supporting PAC on Fox News.

Early life and education

Born in Sagamihara, Kanagawa, Japan, Ichikawa's family emigrated to the United States, via San Francisco, when she was three. She and her siblings grew up in the suburbs of Boston and Nashville, and she took courses in photography and painting and drawing at Vanderbilt University while still in high school.
Ichikawa attended Brown University studying Visual Art under Annette Lemieux, Leslie Bostrom, and Walter Feldman, graduating with honors. She moved to New York City four days later, using the award money from the college's Roberta Joslin Art award to pay for her first month's rent of a studio apartment in the East Village. After working in book publishing for 18 months, she entered Hunter's MFA program where she studied under Gretchen Bender, Robert Morris, and Andrea Blum, among others.

Work

Ichikawa's conceptually-based artwork exists as performance, installation and net.art. The performances include a series of site-specific gifting work titled Limited, Limited Edition in which she painted t-shirts with Japanese text informed by the neighborhood in which she gave the shirts away at low-cost: either translations of message shirts she saw in or inspired by the area. She presented the first iteration of this work at Socrates Sculpture Park, in Long Island City, Queens; the next in Jamaica, Queens; then at the Incheon Women Artists' Biennale in Incheon, South Korea; at On Stellar Rays gallery in the Lower East Side; in three locations in Newark, New Jersey for Aljira Center for Contemporary Art, in a school yard in East Harlem; on 14th Street, Manhattan, as a part of the Art in Odd Places performance festival, and on H Street NE in Washington D.C. For Bad Kanji, she painted temporary kanji tattoos on viewers at the Spring/Break Art Show in 2015, held in the historic office spaces above New York City's James A. Farley Post Office. The work was reviewed favorably. She has additionally exhibited her work in The Hague, Berlin, Philadelphia, St. Paul, Minnesota, and in Sweden She currently lives and works in Brooklyn.
Ichikawa also operates as an art historian, having enacted two of Fluxus-member Alison Knowles's event scores, namely #5 Wounded Furniture and #3 Nivea Cream Piece. The latter was live-blogged online and well-received, with Hyperallergic's Kyle Chayka writing that it was "definitely among favorites." In 2015, Ichikawa wrote about the Japanese American incarceration through the photography of Dorothea Lange, Ansel Adams, and Toyo Miyatake for Hyperallergic, which became popular, shared over 8,000 times on Facebook. In 2018, she reminded New York art world readers about the Golden Venture incident, which marked the start of contemporary punitive U.S. immigration policies at the presidential level, under President Clinton. In 2020, she wrote on newly revealed information on the life of Clyfford Still for Art in America.
In the Aughts, she created an Internet art piece that simulated a series of imagined art installations. The multi-hyphenate has also created a series of Facebook groups themed around food organized by color, touching upon issues of cultural identity, food sourcing, gentrification, environmental concerns, and greenwashing while sharing nutrition and cost-cutting tips: I ♥ Yellow Food, I ♥ Orange Food, I ♥ Red Food, I ♥ Green Food, and I ♥ Blue Food. While not supportive of Facebook's history of massive online-privacy violations, its carrying the 2016 Republican National Convention, and, along with other mainstream media, its other roles in the empowerment of Trump's presidential candidacy, she nevertheless viewed the social media site as an effective, user-friendly way to include as many participants as possible, as quickly as possible. She has lately turned to Instagram, bought by the company in 2012.
Ichikawa's art before 2005 was primarily in installation art, built around the placement and assembly of basic construction materials in galleries and other spaces. She presented one such piece as her solo exhibition at Momenta Art and another at Andrew Kreps gallery in a group exhibition curated by Dean Daderko, now a curator at the Contemporary Arts Museum Houston. The series evolved into a Net.art piece, Where Do We Come From? What Are We? Where Are We Going? that is permanently stored on Rhizome.org.

Writing

She has written on contemporary art for Flash Art on the work of Ken Lum, Laurel Nakadate, Dan Peterson, Yasue Maetake, and, for NY Arts magazine, the work of British artists Jane and Louise Wilson and for zingmagazine, the work of Iranian-American public artist Siah Armajani.
In 2015, Ichikawa wrote about the photography of Dorothea Lange, Ansel Adams, and Toyo Miyatake and the Japanese American incarceration for Hyperallergic. The article received its biggest spike in interest after the spokesman of a Trump-supporting PAC, in early November 2016, cited the incarceration as precedent for a Muslim registry on Fox News. In 2018, she reviewed the folded paper work of the Golden Venture migrants held in York, Pennsylvania that was exhibited at Manhattan Chinatown's Museum of Chinese in America.
Ichikawa also wrote about the closing of the Manhattan Tekserve store, the performance by a group of young area Native American musicians at Rutgers University in 2016, and cowrote about the work of young artists of Asian descent in a New York City-based performance art festival the next year. In 2018, she wrote about the paper-folding work of the Golden Venture migrants for Art in America online and served as the social media writer for #callresponse during its New York City exhibition run at EFA Project Space.
In 2019, Ichikawa wrote about her experience at a Brooklyn laundromat undergoing gentrification for an Chinatown-based teen activist zine. The next year, she wrote on the life of Clyfford Still for Art in America as seen though a documentary on the Abstract Expressionist.

Selected awards and residencies

Ichikawa's younger sister, Yoko, is an Oakland, California-based part-time graphic designer and ESL teacher. Her younger brother, Kenshin Ichikawa, founded and designed Rocksmith streetwear, which has done collaborative lines with the Wu Tang Clan, Malcolm X's daughters, and a music video with Future, among other things. The label has also been worn by all of the major male American hip-hop stars. Yoko is a graduate of Wesleyan University, where she majored in West African dance, Kenshin a graduate of Columbia University and is married to UC Berkeley Food Institute executive director Nina F. Ichikawa.