Samuel was born in Liège. He spent much time in Brussels where he was a pupil of François-Joseph Fétis, and where he was a friend of Hector Berlioz. He also studied with Joseph Daussoigne-Méhul at the Royal Conservatory of Liège. He began to study music at the Liege Conservatory of Louis-Joseph Dossuan and Etienne Subra. In 1838, together with his family moved to Brussels and continued his studies at the Brussels Conservatory with François-Joseph Fétis , Charles Bosselet, Jean-Baptiste Michelot and Christian Friedrich Girschner. For the first time he was noticed by the general public, accompanying the violinist Charles Auguste de Bériot on the piano as part of the young Pauline Viardot's concert tour. Samuel, who won the Belgian Prix de Rome in 1845 by the cantata "Vendetta", went to Rome through Germany and Austria, met on the road with Felix Mendelssohn, Giacomo Meyerbeer and Ferdinand Hiller. In Rome, he worked on the operaGiovanni da Procida and the Second Symphony, premiered by Fétis in Brussels in 1849 after the return of Samuel. 1850s in the works of Samuel were under the sign of the influence of Hector Berlioz. Samuel became in 1860 Professor of Harmony in Brussels and 1871 Conservative Director of Ghent. In 1865 he founded in Brussels a series of public concerts, based on the model of Jules Pasdeloup, during which he promoted the music of contemporary composers, especially Richard Wagner and Franz Liszt. With this he wanted to make classical music accessible to everyone and to promote the musical and intellectual level of the Brussels people. Since 1871, he headed the Ghent Conservatory, in Ghent also acted as an adherent of a new German school; the last concert Samuel conducted shortly before his death was completely composed of orchestral fragments of Wagner. In 1871, after conducting an orchestra for some years and directing a series of Popular Concerts in which works by Peter Leonard Leopold Benoit and Anton Rubinstein among others were featured, Samuel resigned and became director of the Ghent Conservatory. Samuel's own compositional work combines the influences of Berlioz, Wagner and Liszt. His central works are the monumental program Sixth and the Seventh symphony.
Conversion and death
In 1895 Samuel was baptized and became a Catholic Christian, converted himself from Judaism late in life. He died in Ghent. At the composer's wish, his mass was presented during his funeral. His son Eugene Samuel was also a composer.
Style
In his homeland, he enjoyed the reputation of composer of five operas, cantats., choir songs, motets, two string quartets, seven symphonies, and driving symphony Christ, as well as performer as a music publisher, including a harmonic. He was also music journalist at Le Télégraphe, National, La Civilization, L'Echo de Bruxelles, L'indépendance belge, La Revue trimesterielle, L'Art universel and La Flandre libérale.
